Posts Tagged ‘moleskine’

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Moleskine And Platinum Carbon Ink

11/23/2016

The best thing about yesterday was discovering how well Platinum Carbon Ink performs on Moleskine paper and in a cahier at that. The Plaisir is perfectly tuned for the ink so using this trio is a real pleasure.

The second best thing was UPS delivering a package by bicycle. That was a first in my neighborhood and quite a sight. The “chocolate man” as my daughter used to call him, rode away too fast for a photo, but the event was good for a chuckle in an otherwise mirthless day.

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A Winning Moleskine, Ink And Pen Combo

10/07/2016

A chance meeting of a Moleskine notebook, a Pilot MR Metropolitan medium nib, and Sailor Tokiwa-matsu ink revealed a very acceptable partnership. Almost no feathering and so little bleed-through as to make the backs of pages useful makes this a winning combination. I am not a huge Moleskine fan, but in this case, paint me happily surprised.

Note that the left hand page was not written with Tokiwa-matsu. It produced far less ghosting and bleed-through than pictured.

Moleskine, Pilot Metropolitan and Sailor Tokiwa-matsu at Amazon.

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Pentel Touch Pen Meets A Midori Traveler’s Notebook

08/20/2016

The Pentel Touch Sign Pen (SES 15C) with a flexible nib is amazingly smooth on Tomoe River paper. That means the Midori Traveler’s Notebook (013) is a good mate. Note there is ghosting as happens with most pens on such thin paper. Bleed-through only occurs when I overwrite to darken the color. Otherwise, there is none.

My review from a few weeks ago was on Moleskine, but I wanted to show how well the Touch Pen and Tomoe get along.

The full set of pens is still on my list, but for now, the black, sky blue and yellow ochre make a nice trio. At least one of them will work on every paper in my stationery collection. That makes my three pens practical as well as a lot of fun.

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Sunday Reads From Cognac To Moleskine

08/14/2016

For your Sunday distraction…

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Pentel Touch Brush Tip Felt Pen

08/07/2016

Pentel has a real winner for calligraphers with the Touch line of felt tipped pens. That is something I already knew from YouTube and Instagram videos before I got my hands on one. What was a genuine surprise is how little effort it takes to make a mark with a Touch. Just skim the paper with the pen and bold lines result. Banish hand fatigue though writing large is the best I could do.

The two on my desk came from a local art store and are not equal. They were in an open display and one tip has suffered mild abuse making delicate lines elusive. The other pen has a dream tip that glides effortlessly. It is an absolute delight to use for lettering though I have no hand for true calligraphy. You should see the colorful notes all around my desk. They draw my attention to what must be accomplished today and that is a good thing.

Worthy of note is that the Touch pen did not feather and produced only a few tiny dots of bleed-through in my new squared Moleskine journal. Ghosting was its only flaw, no surprise on Moleskine. That brings up the Moleskine caveat: Their journals are possessed by fickle paper so your results may not be comparable to mine. Even printer paper suffered zero bleed-through and less ghosting than the Moleskine. My other journals handled the Touch without complaint.

The Pentel Touch is a fun-to-write-with pen that comes in a variety of colors. There are two versions so look for the brush tip if you want the one reviewed here. Amazon offers individual black and blue pens among other colors as well as a twelve color set. Local stores did not stock this pen except for the one, distant art store where I purchased my first two. The full set is on my wishlist because the Touch is so much fun to use. Plus it has all those colors and I am always a sucker for color. The notes around my desk will never look the same.

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Moleskine Surprise

08/05/2016

When it comes to journals, Moleskine has set the standard for form. Sturdy, but lays flat. Natural white paper. Ribbon marker. Elastic band and rear pocket. The size is just right in the hand. But in recent times, the paper has left much to be desired when it comes to fountain pen ink.

When I started using Moleskine some twelve years ago, my pens were quite happy with it and the few inks I owned would cozy up to the paper and leave marks with clean outlines. Extra-fine and fine nibs were perfect, especially a vintage Parker 51 fine-medium that was the pen I carried everywhere.

Skip forward a few years and the paper quality suffered. Spidery feathers bloomed from every letter and blobs of ink showed through on the backs of pages making them worthless. One-sided writing cut the value of the pricey journals by half. Moleskine betrayed my trust and I swore off for good.

To be fair, paper sources can change over time and being ever hopeful that the company had come to its senses, I tucked a squared notebook into a recent Amazon order. The wrapper says “Mix. Paper from responsible sources.” What does that mean? It also says the notebook was manufactured in China. Lots of paper comes from China, but most of it isn’t fountain pen friendly. Hoping to be surprised, I put the Moleskine to the test.

Every instrument except the fountain pens worked well enough that both sides of the paper were useful. Clean outlines and almost no feathering with only very faint ghosting from the Sharpie Pen and the Pentel Touch make the Moleskine an excellent choice.

The scan shows a new Moleskine at the upper left with a Rhodia notebook to the right. The bottom two are Moleskine journals purchased several years ago. The recent Moleskine has paper that is more white than in the past which is another indication that the paper is from a different batch.

Fountain pen ink produced mixed results. To the good, feathering has been reduced. Not gone entirely, but spidery offshoots did not happen. That is a significant improvement over the Moleskine journals I last purchased. Outlines are less jagged though under magnification still imperfect with some inks. It isn’t Rhodia quality, but it will do.

Bleed-through on the reverse proved frustrating, but ink and nib width made a difference. Noodler’s Black in a fine nib was perfect. Sailor Peach Pink did not bleed even from a Platinum #3776 Music Nib. J. Herbin Bleu Azure from a Platinum Century B Nib left only a couple of dots. Other inks in wide nibs left so many spots that the reverse was unusable at least by my standards. However, a dry nib or an extra-fine to fine nib should have less trouble. The narrow nib for many users will be more suitable for the size of the journal and the 5 mm grid spacing anyway.

The bottom line is Moleskine has improved the quality of its paper at least in the grid notebook I tested. Some pen and ink duos will work beautifully on both sides of the paper. If you only write on one side, use any pen and ink. With the feathering reduced, Moleskine is no longer off my list. Is it time to put it on yours?

 

 

 

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Paper Mate Liquid Flair Pens

06/24/2016

Recently, Ed Jelley wrote about Paper Mate Liquid Flair Felt Tip Pens and that was enough to persuade me to purchase a set of eight colors. They won’t replace fountain pens, but they are a handy way to put ink on paper.

The pens are plastic and lightweight, but with enough girth to feel comfortable in my hand. The top snaps on rather loudly and firmly and can be posted without overbalancing the pen. The nib produces clean lines and glides easily with just a hint of feedback. In fact it quite nearly skated over the Midori #013 Tomoe River paper. Adjusting the speed at which I wrote improved control. The smooth, juicy flow produces strong coverage, but dries a little slowly with the medium nib on Tomoe. A more absorbent paper speeds the drying time to a second or two.

The reusable pouch states that the colors are vivid and with that I would agree. The blue has a lot of red in it and dries with a sheen you might expect of fountain pen ink. It wasn’t evident  except where ink puddled, but still impressive when it did happen.

Turquoise, green, orange and pink are reflective catching the light at some angles. However, those colors aren’t as strong as the other four. Black, purple and deep red are very saturated and matte in comparison.

The black will likely find a regular home in the pen box on my desk. The dark red is a rich color and good contrast for the black, so it is headed for the box as well. Turquoise is usually an easy sell for me, but this one is a bit more pale than my preference. However, for the convenience of a felt tip, it will have its opportunities.

None of my fountain pens felt displaced or jealous. Big yawns mostly. However, Paper Mate has done a creditable job of bringing a useful felt tip to market with the Liquid Flair. Besides the attractive colors and comfortable form, these pens should weather the summer heat without fuss. Don’t tell my fountain pens, but that will keep the Flair pens on my desk for months to come. Instant starts and no dried out nibs sound very appealing after last week’s hundred degree days.

My kit of Liquid Flair pens came from Amazon along with the Traveler’s Notebook #013 used for testing. But here’s an idea worth considering. These pens would write very well in those notebooks that can’t handle fountain pen ink. Finally, that stack of Moleskines might get put to use. My FPs certainly won’t mind since they know inferior paper is beneath them. Who can argue with such clever little devils?

 

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