A recent conversation about the Pentel Pocket Brush Pen inspired some doodling last night with an earlier test of the Copic Sketch Marker BG93 serving as a soft, sage background. I love how similar the use of the brush pen is to using a real Chinese brush.
Brush Pen Over Copic Sketch Marker
Need some new reading material? The Fourth Carnival of Pen, Pencil and Paper hosted by Black Belt Productivity came out today. Lots of links to good pen stuff so come on down! Oh, and a big thank you to Notebook Stories for creating the Carnival.
These are a few of my favorite inks, Montblanc at least. The samples are from bottles and not the cartridges. All three turn out darker from a pen but you can still get a sense of the colors from the image below. The properties are similar though not identical and vary from pen to pen. But all are excellent quality and it least one is in my rotation at all times. That’s a pretty good recommendation I’d say.
Montblanc Fountain Pen Inks
To some fountain pen users, nothing beats the allure of a pen with a flexible nib. There is elegance about it from the rhythm and control necessary to dance one across smooth paper to the fabulous forms in the trail of ink left behind. Getting the hang of simple forms isn’t terribly hard but it does require patience and practice. Check out some of the links in the sidebar for some good online resources.
If you want to get an understanding of nib mechanics, I’ve just discovered a fine post about flex nibs from Tao at Bleubug’s blog. This is pen geek stuff to be sure but everyone can enjoy his video.
If you have a favorite website or even know of a good post about using flexible nibs, please add it to the comments. Some of us can’t get enough of such things.
Here’s another look at De Atramentis Sepiabraun from a pen that shows its best qualities, the Namiki Falcon SF (soft fine). It has enough softness to qualify as a stiff semi-flex nib that is both easy on the hand and very light weight. Put those characteristics together and you get a pen that has good versatility and suits most any application.
In an Apica 6A10 journal Sepiabraun feathered very lightly but also bled-through showing small dots of ink though it behaved very well on Rhodia as you can see in the sample. Lighting conditions at my desk are mediocre at the moment making the color look a lot like Waterman Havana. Last night it looked like a less saturated version of Noodler’s Walnut.
Regardless, it is a medium dark brown with a hint of red. Sound intriguing? The only store that carries it in the U.S. so far is Art Brown. At $13 for 35 ml it’s a little more expensive than many inks but not exorbitant. Only you can decide if it’s worth it.
Namiki Falcon + De Atramentis Sepiabraun
De Atramentis has an enormous range of colors so there’s a rainbow from which to choose. If color determines your fondness for an ink, this manufacturer has got your number. If other properties count as much, then caveat emptor. Certainly some will meet your standards. However, others may only work in a limited number of pens or on a limited selection of papers. This is one brand of ink that may take some trial and error to find a satisfying combination.
Lest you think I am unhappy with the whole line, perish the thought. While it won’t replace my favorite brands, I did find good things about Aubergine, Sepiabraun, and Cement Grey. No coverage issue though Sepiabraun and Cement Grey are incredibly wet. There was a small amount of feathering with the latter on Apica though not on Staples bagasse or Rhodia. I no longer have a sample of Aubergine but the color was a favorite in the past. No issues with performance either.
De Atramentis Ink Samples
Sepiabraun is similar to Noodler’s Walnut but less saturated while Cement Grey looks like wet cement or maybe a piece of charcoal depending on line thickness. Olive Green is close in color to J. Herbin Vert Olive with some blue added. Aubergine bears a resemblance to Parker Penman Ruby. It isn’t a substitute but it is similar.
Now for Olive Green. It is a pretty color but did not make the grade for performance. Two pens and three brands of paper plus various scraps on my desk were tested. Poor coverage with both a Lamy Vista 1.1 italic and a Sailor 1911 fine nib revealed an issue with skipping/poor coverage on Rhodia and Apica. The lack of cleanly filled in lines was less evident on Staples bagasse and more closely resembled skipping than poor coverage. On bagasse the dried ink showed some shading but not with any consistency. The pale color would be well suited to wide nibs but the performance with my pens was not satisfactory. Perhaps in a wet broad nib issues would be non-existent but there is nothing suitable in my collection to give Olive Green a proper test.
I am loathe to include YMMV in a review but it’s true. Please post in the comments if you have used De Atramentis ink. I hope you can add good experiences to balance my so-so one.
Now that Art Brown carries De Atramentis ink, many fountain pen folk will get a first look at this German import. While De Atramentis Aubergine has been high on my list of favorite inks for years, the three I’ve recently acquired remain to prove themselves. Reviews are in the works but in preliminary tests, nothing seems amiss in performance.
There is one caveat that needs mentioning now though. The label colors do not fairly represent the ink colors. The result is that I wasted money on colors that do not meet my expectations nor do they fill the holes in my collection for which they were intended. This isn’t just a matter of how the colors appear on a monitor but rather the ink on white paper held against the labels. Since the labels are the only swatches available online for most of the product line, there is no way to predict the color with a fair level of accuracy. With two of the four bottles I own, the difference between the ink and the label is dramatic. The other two are merely inaccurate.
So caveat emptor when it comes to De Atramentis color representations. However, if you like the excitement of things unpredictable, hopefully, you will be happier with your surprise package than I was with mine.
For weeks I have been in fountain pen nirvana with my latest acquisition, a previously owned Waterman Deluxe Carene Stub*. I am ruined.
What does that mean to a pen collector? Nearly every pen in my drawers, pen wraps, pen cases and milling about forlornly on my desk is a fine or extra-fine. Oh, yeah, I am in deep “dirt” now. Few have received more than a passing glance since the Carene arrived and they are already way past being jealous. Not only are they bereft, they are suffering from dried ink syndrome. For the uninitiated that means ink has dried in nibs and feeds requiring lots of extra effort to get the sulky little things clean. It is my punishment for ignoring them you see. Each will make me pay for my dalliance but I tell you it has been worth it.
The first surprise about the Carene was that this medium weight pen is as comfortable to use as any feather weight model. Good balance is what makes the difference. It’s a very sturdy, well-finished pen that tolerates casual use. Not careless but casual. It will go along for the ride, tossed in my purse without benefit of a case or wrap, showing not a hint of pique at such rough treatment. But that isn’t even the best part.
Waterman Carene Stub Nib
The stub nib is amazingly good fun to use and brings out the italic side of my handwriting. I received a lovely reply to my first letter penned with the Carene. My friend wrote, “your handwriting has changed a bit. It sort of looks like Leigh’s.” That’s quite a compliment as Leigh was the previous owner and one of my favorite handwriting artists. My writing might resemble Leigh’s writing if she wrote with her opposite hand on a bad day and in a cast to boot but I loved the compliment anyway.
One caveat about the Carene. The unique nib will leak on your finger if you touch the upper tips of the nib where they meet the section. The upshot is that you can’t hold the pen low and close to the nib, well, unless you want inky fingers. I haven’t found the hold to be uncomfortable but have forgotten a few times and earned a nice ink splotch on my index finger along with a few chuckles from observers. I like to make people laugh so it’s fine with me but it might not be appropriate in a business meeting.
Anyway, I wanted to share my excitement over a terrific pen and nib. It isn’t right for everyone but it sure is right for me. In fact I would take a second one should the opportunity come my way.
Oh, if you are wondering about the lack of photos, click the small image above. No way could I have done a better job of showing off this stub than Leigh has done.
*Stubs and italics both have a straight edge that produces a thick vertical line and a thin horizontal line. If you don’t write really small, the stock stub is a great way to put a little pizazz in your letters without having to practice a great deal. If you have small letters, then you might need a custom ground nib to get one sized correctly for your handwriting. Want to create a great signature? A stub nib might be just the thing.
