Three years ago I put together a spring palette of understated inks. No dual-toned, sparkly colors in this lot. Just gentle, soothing shades.
As this year’s flowers fade and the pastel petals float away, this palette is the final link to spring. I want to hold on to that as the summer swelter looms. I loathe the heat and appreciate the cooling, soft colors and minimal maintenance these inks require.
So what do pens have to do with happy hour? Read on.
From the archives, my kit from five years ago. Only one pen has remained a constant in my rotation. Can you guess which one?
Pens: Platinum #3776, Noodler’s Standard Flex, the Pilot Prera Italic and the Sheaffer Taranis Medium. Inks: Diamine Sepia, Noodler’s Black Swan in Australian Roses, Noodler’s Black and Diamine Steel Blue. Autopoint Mechanical Pencil, a daily user that has never failed me.
When it comes to ink, color grabs us first. Whether the jewel-toned dual colors that have emerged in recent years or the traditional single colored inks that have been around forever, it is the property we prize the most. But what else does fountain pen ink have to offer?
Prior to the introduction of inks that sheen and shimmer, more subtle characteristics like shading and outlining (sometimes called haloing) received the attention and praise of aficionados. They are natural properties of some inks that can lend the written word a very unique look.
Shading happens when ink pools usually at the bottom of a letter. The higher concentration of ink produces a deeper shade than the upper portion. Outlining is a thin, dark line around a letter and is less common than shading. Flex nibs produce it best though wide nibs can do it, too.
Writing examples that illustrate shading and outlining.
Noodler’s Standard Flex and Apache Sunset
Platinum Century FF and Iroshizuku fuyu-syogun
Namiki Falcon SF and Diamine Mediterranean Blue
Noodler’s Standard Flex and Australian Roses
Noodler’s Konrad and Blue Nose Bear
Namiki Falcon SF and Noodler’s Kiowa Pecan
Noodler’s Dostoyevsky
Esterbrook 9128 with Namiki Blue
Platinum Music Nib and Diamine Sepia
Diamine Sepia will outline well, but paper may matter more with it than the other inks.
There are too many inks on the market these days to test them all so my list is rather short. You may find inks you already own will outline when used with a soft or flexible nib. There are a few relatively inexpensive fountain pens that would be up to the task of testing ink, but in that category, I only have experience with Noodler’s Standard Flex Pen. It might be better called a soft nib, but it will, with a little practice, produce enough line variation to tease an outline from an ink that is so inclined.
A thread at FPN offers more suggestions. I have used a few of the inks mentioned but have experienced different results or at least less dramatic results. Diamine Wild Strawberry is a case in point. It is excellent in my Platinum Century Nice medium nib with good performance all around. Though it produces crisp edges, the outlines are so close in color to the ink, that they are only discernable under magnification. Thus it outlines but not in a meaningful way. Some of the other inks mentioned in the FPN thread look promising and several are truly dazzling especially those from Robert Oster and Blackstone.
Does outlining appeal to you? Let me know if you discover an ink that does it well. Not that my ink collection needs to be expanded, but for outlining, I could make an exception or two.
No lions, tigers or bears, but a few pen and ink links. Oh, and one piece about going to Mars for those who like to travel…
A diverse group of links…
Another eclectic mix…
Mixing inks can be a slap-dash affair or a carefully orchestrated endeavor. Nick Stewart has taken the game to the ultimate level, one drop at a time, in his experiment with the primary colors red, yellow and blue. The three can make a rainbow of hues and Nick finds them all combining Diamine Scarlet, Yellow, and Turquoise.
Wanna give it a try?
Inkophile
