Last night two Platinum Century pens shouted for attention following weeks of being on the back bench. How could I refuse?
The good news is that the nibs wrote beautifully from the first stroke despite a lack of recent exercise. The Century certainly can go a long time without attention. Both are smooth, but there is a slight difference between the medium and the soft medium. The latter has a cushioned feel to it which reduces feedback. The line width of the soft medium might be a tad more narrow, but that could be attributed to the ink. Both nibs are in the workhorse category. Use them for anything.
Next to Noodler’s and J. Herbin, Diamine is the brand of ink that got the most time in my pens last year. Wild Strawberry and Merlot were gifts from Beth Treadway and have proven good additions to my regular rotation. Merlot dries more slowly, but for the saturated color, I can be patient.
The Leuchtturm1917 remains one of my favorite journals though it could be better. If you look closely, the inks found threads to follow and produced more bleed-through than I would like. The previous night I used a Platinum #3776 music nib with J. Herbin Cafe des Iles that produced neither feathering nor bleeding. Pelikan Violet, Waterman Florida Blue, and Noodler’s Apache Sunset performed better on the paper than any ink except Noodler’s Black.
Does this mean Diamine inks have a problem or is the Leuchtturm paper inconsistent? Either way it’s a reminder that testing ink is valuable. The last page in a notebook is a convenient place to write the names of pens and inks for future reference. My sample page produced mixed results, but I now know which duos would be best to grab for a long day of note taking.
The Platinum Century M and SM are delightful to use and I love the soft Leuchtturm paper even with its imperfections so I want to pair the paper with inks that will not feather or bleed. Noodler’s Black and Lexington Gray might just do the trick. Not colorful, but oh so reliable. Sometimes that’s all you need.