Writing samples on a transparent sticky note. It really is just plastic in the form of a post-it and not suitable for most pens. Disappointed in the performance as it would have been perfect for my latest project, that is if I could write better on it. There will be uses for them so they won’t go to waste. The Pilot Twin Marker works very well on the paper allowing me to mark up a page without leaving a mark. Hmmm. Lots of possibilities there.
Fountain pens and other good stuff…
From the archives.
The pen stuff is good but the video will be good for a laugh.
Halloween is upon us so zombies and a haunted store seemed appropriate. Now back work on an ink and pen post for tomorrow.
It is always satisfying to assemble a DIY journal for a new year. For 2018, I discovered a leather passport case that will accommodate two Traveler’s Notebooks. It makes a small and lightweight companion that takes up little space, but looks great and offers enough pages to keep the writer in me creative and content.
The notebooks come in diary, blank, grid and lined editions all with fountain pen friendly paper. I prefer the Traveler’s #005 with Tomoe River paper that Leigh Reyes introduced me to a few years ago. Tomoe takes fountain pen ink like a champ, but also holds up to a light watercolor application which makes it fine for small sketches or to add extra color to written pages.
The Sea Green (more teal than turquoise) cover from Banuce is eye-catching and just the right size for the Traveler’s Notebook. It has lots of slots for credit cards, stickers, and other bits and pieces. Another passport-sized cahier might fit, but the Moleskine does not. I might purchase the coral to house all those lists and task notes that clutter my desk. Two notebooks doesn’t seem excessive when it comes to being organized, does it?
The leather is smooth to the touch, but firm enough to give the journal a solid writing surface. Either a writing board or a piece of blotting paper will protect lower sheets, but Tomoe has rarely bled through in my experience. The cover folds back easily for notes on the go.
The snap clasp will keep everything firmly inside. The corners are slightly round, and the stitching consistent. The black edging offsets the striking color and gives the journal a finished look.
The only drawback is the over-sized stamp of the manufacturer’s name. It would have been more subtle centered on the lower edge of the back cover.
This is not a pricey item and durability is hard to predict, but it should last through the coming year. It arrived attractively packaged should you want to give it as a gift. Add a Traveler’s Notebook and any writer would be happy to fill the pages. For less than $15, the cover and notebook make quite the bargain.
Banuce passport covers here and here. Traveler’s Notebook with Tomoe River paper. J. Herbin Blotter Paper. Taroko Design Pencil Board. All links are to Amazon. When you purchase through my links, I get a tiny commission but every penny helps keep this Inkophile supplied with new items to review.
Whether penned on the back of an envelope, a scrap of napkin or in a classic journal, a list is my favorite organizational tool. The end of the year is the perfect time to make such a list, one that summarizes and compares my ever-changing pen, ink, and other tool preferences.
Rather than new faves, the focus for my 2017 list was which tools were used the most, those that rarely if ever left my desk. Products that arrived late in the year didn’t qualify even if they were noteworthy. The handsome journal from Central Crafts and two inks from Noodler’s will have to wait for the 2018 list.
(Links are to retailers and in some cases Amazon from which I receive a tiny commission should you make a purchase. Every little bit helps keep Inkophile alive!)
Pelikan M400 Fine – This pen has been in my collection for a number of years. The flow was increased by Chartpak to accommodate hand issues and proved to be a brilliant pen for my worst days.
Platinum Century Nice Pur Medium – Using different grip widths relaxes my hand while a smooth nib makes short work of any written task. The Plat provided provided both and was a good alternative to the Pel. Besides, what’s not to like about a clear barrel that shows off colorful ink?
Platinum #3776 Music Nib – Sometimes a wide nib gives me a little extra support when my hand is tired and at those times a music nib fits my needs very well. It also adds a little flair to the written word without catching on paper as an italic might and that makes writing more enjoyable.
Pilot Metropolitan Medium – When out and about, I carry a pen that can easily be replaced, but still writes well and looks sharp. The turquoise Met meets all those requirements.
TWSBI Diamond 580 Stub – This pen won the slot for a nib with line variation. It also added a pen to my rotation with a slightly wider grip circumference than the other pens. You already know what I think of a clear barrel and this design makes colorful ink sparkle.
Lamy Studio Fine – It is on the list but last due to its unpleasantly sharp cap and barrel edge. However, the nib and flow make using it worth the risk so long as I remember to grasp it gently. Unfortunately, this one has disappeared and missed the photo shoot. Phooey.
Waterman Florida Blue is mated to the Pel M400. The flow is perfect for the nib and though I may experiment with other inks, WFB always wins out.
Noodler’s Kiowa Pecan makes a luscious line with the #3776 and the shading can be quite dynamic.
Diamine Violet has been the choice of the TWSBI Diamond 580 stub and with good reason. Eye candy to be sure.
Platinum Mixable Aqua Blue suits the turquoise Met perfectly. My samples are now depleted, so it’s time for a full bottle. In the interim, Rohrer & Klingner Blu Mare will do.
Sailor Tokiwa-Matsu was my dark green ink which was well suited to a silver Met. It isn’t Montblanc Racing Green, but it does have excellent flow as well as other charming properties.
Platinum Classic Lavender Black is a newcomer that made a splash in the Platinum Century Nice Pur. Color and performance made this an excellent choice for my everyday ink.
Clairefontaine, Stillman & Birn, Staples Arc and anything made with Tomoe River paper. Enough said.
Artist quality: Sennelier, Daniel Smith, American Journey, and Da Vinci are mainstays along with a couple of Winsor & Newton colors on occasion.
Student grade: Sennelier La Petit Aquarelle and Daler-Rowney Aquafine are about as good as student quality gets. They are not as saturated or lightfast as artist grade paints, but fine in a journal and are packaged conveniently for outdoor sketching. When I empty a palette of student paint, it gets refilled with artist quality paint.
Arches 140# for paintings and Canson Watercolor 140# for color swatches. The best paper is 100% cotton. It will yield the truest colors and survive the longest. Arches is cotton and readily available. It is pricey but worth it.
SAA Gold Round #10 This was my favorite brush last year and easily got the most use.
Silver Brush Black Velvet Round #8
Daniel Smith Platinum Angle 1/2″ (sable and taklon)
Isabey Petit Gris 6234 Quill Mop #0
Other writing and drawing tools
Noodler’s Legal Blue and Polar Purple
Romano Handmade Recycled Leather Wrap Large Journal (Paper is not friendly with all fountain pen inks. Handsome leather cover.)
What’s on your list? Use the comments to post your faves as well as most used tools for 2017. Or submit a link if you’ve already shared such a list elsewhere.
Busy week for me. Slow week for links…
Ink Rotation from the Summer of 2010
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