Posts Tagged ‘Tomoe River paper’

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A DIY Journal With Tomoe River Paper

03/02/2018

It is always satisfying to assemble a DIY journal for a new year. For 2018, I discovered a leather passport case that will accommodate two Traveler’s Notebooks. It makes a small and lightweight companion that takes up little space, but looks great and offers enough pages to keep the writer in me creative and content.

The notebooks come in diary, blank, grid and lined editions all with fountain pen friendly paper. I prefer the Traveler’s #005 with Tomoe River paper that Leigh Reyes introduced me to a few years ago. Tomoe takes fountain pen ink like a champ, but also holds up to a light watercolor application which makes it fine for small sketches or to add extra color to written pages.

The Sea Green (more teal than turquoise) cover from Banuce is eye-catching and just the right size for the Traveler’s Notebook. It has lots of slots for credit cards, stickers, and other bits and pieces. Another passport-sized cahier might fit, but the Moleskine does not. I might purchase the coral to house all those lists and task notes that clutter my desk. Two notebooks doesn’t seem excessive when it comes to being organized, does it?

The leather is smooth to the touch, but firm enough to give the journal a solid writing surface. Either a writing board or a piece of blotting paper will protect lower sheets, but Tomoe has rarely bled through in my experience. The cover folds back easily for notes on the go.

The snap clasp will keep everything firmly inside. The corners are slightly round, and the stitching consistent. The black edging offsets the striking color and gives the journal a finished look.

The only drawback is the over-sized stamp of the manufacturer’s name. It would have been more subtle centered on the lower edge of the back cover.

This is not a pricey item and durability is hard to predict, but it should last through the coming year. It arrived attractively packaged should you want to give it as a gift. Add a Traveler’s Notebook and any writer would be happy to fill the pages. For less than $15, the cover and notebook make quite the bargain.

Banuce passport covers here and here. Traveler’s Notebook with Tomoe River paper. J. Herbin Blotter Paper. Taroko Design Pencil Board. All links are to Amazon. When you purchase through my links, I get a tiny commission but every penny helps keep this Inkophile supplied with new items to review.

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Sunday Reads On A Saturday?

04/15/2017

Holiday tomorrow so links are posting a day early.

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What Prompts You To Journal?

01/18/2017

What prompts you to write in your journal? Many of us start a new one in January which makes this a good month to examine and strengthen what works.

Fountain pen people may do it just for the joy of using a favorite pen or a pretty new ink. Sometimes it’s the luxurious feel of a perfectly tuned nib sliding across velvety paper. A touch of the hedonist may drive us to such pursuits, but it is good, clean fun.

It doesn’t have to be just words that make it on paper. A doodler can use a glyph or squiggle to fill lines and spaces. Watercolor may come into play, but glued on bits of ephemera count as well. Stickers, tickets and postage stamps can inspire lengthy entries or at least make the pages look satisfyingly full.

But what prompts the writer, the serious writer, to put pen to paper? What inspires that flow of words? An experience of the day, something in the news, an errant thought? Do you have a book of prompts or a theme to explore? Really, how do you do it and what do you do it with?

Writing in my journal can bring out the minimalist in me. I like using a light to medium weight pen with an ink to match the subject or something very neutral that won’t detract. Recently, four pens have graced my long sessions: two Pilot Metropolitan Mediums, a Lamy Studio Fine, and a Platinum Nice Medium. The Lamy is a little heavy for more than four or five pages, but the others are good for miles of adventure. Current inks are Iroshizuku ama-iro, Pilot Blue-Black, J. Herbin Terre de Feu and Sailor Tokiwa-matsu in the second Pilot Metro.

Today my journals include one from Paper for Fountain Pens with Tomoe River Paper, Staples Arc, a new Muji notebook and a (Midori) Traveler’s Notebook, most often a #013.

Any of these tools can prompt me to journal. Four pens, inks and journals would seem like enough variety for an inkophile. Or maybe not. The Stillman & Birn Epsilon, Stipula Verde Muschiato, and the lovely, lovely Platinum #3776 music nib are ready to go. Oh, look at that. Ku-jaku just waved at me with a charming, beauty-queen-riding-in-a-parade gesture. So much for my minimalist rotation. Is this a hopeless addiction or what!

 

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My Gear For The New Year

01/06/2017

Ink, pen and paper:

Sketching Kit:

Watercolor Supplies:

Accessories:

Want to purchase any of these items? Here ya go!

Ink, pen and paper: Pilot BBk,  Noodler’s Black, Diamine Mediterranean Blue, J. Herbin Cafe des Iles, Sailor Tokiwa-matsu, Stipula Calamo Sapphron, Stillman & Birn  Zeta Sketchbook, Tomoe River Paper from Paper for Fountainpens, Quo Vadis Plan & Note journal, Pilot Metropolitan, Platinum #3776 Century M, TWSBI Diamond 580 1.1, Staples ArcTraveler’s Notebook 013

Sketching Kit: Staedtler Mars Lumograph pencils, Pentel Hi-Polymer Eraser, Prismacolor Kneaded Eraser, Lowe-Cornell tortillions, Stillman & Birn Epsilon Sketchbook, Faber-Castell Sharpener

Watercolor Kit: Martin Mijello Airtight Watercolor 18-Well Blue Palette, travel box, Stillman & Birn Beta Sketchbook, Arches 300 gsm watercolor paper, Schut Aquarelbloc 300gsm watercolor paper, Monaco Travel Case, Traveler’s Notebook 012

Brushes: Silver Brush Black Velvet Script #4, Round #8, 3/4″ Flat, Escoda Versatil Rigger #10, Isabey Petit Gris #0, SAA Gold Round #10

Tube paints for a watercolor mixing triad: Daniel Smith Cobalt Blue, Winsor & Newton Aureolin, Winsor & Newton Permanent Rose.

Watercolor Metal Travel Box with colors especially good for mixing: American Journey Aureolin, American Journey Quinacridone Burnt Orange, Winsor & Newton Winsor Red, Winsor & Newton Permanent Rose, Daniel Smith Cobalt Blue, American Journey Phthalo Blue, Daniel Smith Phthalo Green (BS)

Accessories: Coccoina glue stick, American Crafts washi tape, Bigelow Earl Grey Green Tea, Numi Chocolate Pu-erh Tea, Sadaf Special Blend Tea with Earl Grey.

 

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Sunday Reads From Tomoe To Ink To Graffiti

08/28/2016

Another diverse group…

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Duke Guan Yu Calligraphy Fountain Pen

07/31/2016

Pen enabler extraordinare, Leigh Reyes, has written about the extra long Duke calligraphy nib for ages and of course she can do things with it that are both amazing and beautiful. When I saw one on eBay recently, resistance was futile.

History

Meet the Duke Guan Yu Calligraphy Fountain Pen. It has the Chinese warrior Guan Yu holding his weapon, a guan dao named Green Dragon Crescent Blade, on the cap. Also on the cap are four Chinese characters, “Zhong, Yi, Ren, Yong” for “Loyalty, Righteousness, Humanity, Valor.” Guan Yu was highly respected and eventually became revered as a god. Though Guan died in 220 CE, he continues to be honored and worshiped.

Form

The Guan Yu feels very well built and sturdy in the hand. It is mostly metal with chrome trim and weighs a substantial 40 g. The length is 145 mm closed, 125 mm without the cap, and 165 mm with the cap posted to the barrel. The balance is good so it can be used comfortably without the cap. Unlike many pens, the cap clicks onto the end of the barrel for a secure fit, ideal for those who like a long pen. However, posting the cap may overbalance the pen in a small hand. On the plus side, not posting the cap allows for a free range of motion that can produce a variety of line widths.

The barrel is a greenish turquoise like the green dragon for which the guan dao blade was named. GYT is engraved on the band along with three Chinese characters.

The logo used on the cap and clip is a crescent blade rather than the usual Duke crown. The whole design is thematic, consistent and very attractive.

The pen accepts International cartridges and comes with a screw type converter. Flow was inconsistent at first but settled nicely after a few practice marks. Writing was at its best following a fresh fill of the converter. At the very end of a fill, the pen skipped at times. Consider that an early warning that it’s time for more ink.

Nib

Sometimes this design is called bent nib or fude. Whatever you call it, the Guan Yu has a particularly long tip that makes my other Asian calligraphy nibs look puny in comparison.  It is capable of producing a stunning 4 mm line while writing a 1 mm line or even thinner when held at a more upright angle. That makes it suitable for writing as well as sketching. Hold it too upright and it will skip so it does have its limits.

Noodler’s Lexington Grey is a good match since it is more subtle than black and shades nicely enhancing line depth and variation. Just the thing for a very wide nib.

The pen has an overfeed, a strip of metal that goes over the front of the nib. It’s the first one I’ve used on a fountain pen though some dip nibs come with the enhancement. It’s designed to keep ink flowing to the nib and prevent skipping when a strong flow is needed. Given the amount of ink required for a 4 mm line, the overfeed is a a wise addition. It isn’t pretty, but it is useful.

The nib has a little flex to it probably from the length of the tip rather than by design. It takes a bit of effort to bring out the flex, but with a little practice, it is possible to mildly vary line width. I found that property more useful for drawing than writing.

Writing

The blue-green barrel closely matches Noodler’s Dostoyevsky so I used it for the first fill. A dark ink would make a very strong statement from such a wide line. Pale or pastel inks would show more substance. Dostoyevsky struck a nice balance between the pale and the dark.

If used slowly for a thick line, the paper becomes critical. Drying time can be significant on a coated paper. Rhodia worked well despite the heavy flow though there was some ghosting and a few dots of mild bleed-through. Midori Traveler’s Notebook with Tomoe River paper showed heavy ghosting and significant bleed through. Experimentation will reveal good matches of ink and paper for this very wide nib.

One note about using this calligraphy nib. Mine does not lend itself well to writing in the Chinese style of holding the brush upright. The more contact the nib has with the paper, the better the flow and the wider the line. A western style hold will produce a very broad line. The lower the angle, the better.

The Duke Guan Yu is an eye-catching pen and might get some remarks from co-workers or fellow patrons at a coffee shop. However, this is a pen that makes writing more fun than serious. It would be perfect for a doodle journal or to decorate paper margins turning something ordinary into something elegant. Then write in the center with a standard pen.

My Guan Yu came from an eBay seller in China. If you prefer Amazon, I found three offers: here, here and here. The Duke 209 Calligraphy Bent Nib has a smaller tip so look closely if you want the same nib I purchased. Leigh has the Confucius model with an extra long nib in a bamboo design. There is a black Confucius model as well.

This might not be a go-to pen, but it sure is a kick to use when you just want to play around with ink and pen in a bold and color filled way.

 

 

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Links From Roadkill To Satellites To A Flexi Pen

06/26/2016

An odd mix of links overseen by a skeptical Macy…

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