Posts Tagged ‘Stillman & Birn’

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Sunday Reads: Best Pocket Pens, Mysterious Gold Object, And A Backstory

06/25/2017

Lexington Gray has enjoyed a long term home in one of my Pentel Pocket Brush Pens. Very highly recommended for the calligrapher, artist, doodler in you…

Playtime in a Stillman & Birn Sketchbook

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Sunday Reads: Ink, Pens And Typewriters

06/18/2017

Wish I still had my blue Smith Corona

Stillman & Birn Sketchbook and Friends

 

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Mattias Adolfsson And His Fountain Pens

05/25/2017

Mattias Adolfsson is a Swedish illustrator who uses fountain pens for detailed drawings. I became enchanted with his work via Fountain Pen Network ten years ago when he posted a drawing done with a Namiki Falcon and Diamine Monaco Red. The duo is lovely for drawing and elegant for shading as well as simplicity.

Sometimes I let the nib release a little extra ink and move it around with a swab, toothpick or small brush. Otherwise, the expressive line from the nib is gorgeous on its own. Any ink will do, though J. Herbin Lie de The is an especially good alternative. My Stillman & Birn Sketchbook loves the attention and with Mattias for inspiration, it’s a win-win activity.

 

Tools mentioned are available at Amazon: Pilot Namiki Falcon SF, Stillman & Birn Sketchbook, Diamine Monaco Red, and J. Herbin Lie de The.

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My Gear For The New Year

01/06/2017

Ink, pen and paper:

Sketching Kit:

Watercolor Supplies:

Accessories:

Want to purchase any of these items? Here ya go!

Ink, pen and paper: Pilot BBk,  Noodler’s Black, Diamine Mediterranean Blue, J. Herbin Cafe des Iles, Sailor Tokiwa-matsu, Stipula Calamo Sapphron, Stillman & Birn  Zeta Sketchbook, Tomoe River Paper from Paper for Fountainpens, Quo Vadis Plan & Note journal, Pilot Metropolitan, Platinum #3776 Century M, TWSBI Diamond 580 1.1, Staples ArcTraveler’s Notebook 013

Sketching Kit: Staedtler Mars Lumograph pencils, Pentel Hi-Polymer Eraser, Prismacolor Kneaded Eraser, Lowe-Cornell tortillions, Stillman & Birn Epsilon Sketchbook, Faber-Castell Sharpener

Watercolor Kit: Martin Mijello Airtight Watercolor 18-Well Blue Palette, travel box, Stillman & Birn Beta Sketchbook, Arches 300 gsm watercolor paper, Schut Aquarelbloc 300gsm watercolor paper, Monaco Travel Case, Traveler’s Notebook 012

Brushes: Silver Brush Black Velvet Script #4, Round #8, 3/4″ Flat, Escoda Versatil Rigger #10, Isabey Petit Gris #0, SAA Gold Round #10

Tube paints for a watercolor mixing triad: Daniel Smith Cobalt Blue, Winsor & Newton Aureolin, Winsor & Newton Permanent Rose.

Watercolor Metal Travel Box with colors especially good for mixing: American Journey Aureolin, American Journey Quinacridone Burnt Orange, Winsor & Newton Winsor Red, Winsor & Newton Permanent Rose, Daniel Smith Cobalt Blue, American Journey Phthalo Blue, Daniel Smith Phthalo Green (BS)

Accessories: Coccoina glue stick, American Crafts washi tape, Bigelow Earl Grey Green Tea, Numi Chocolate Pu-erh Tea, Sadaf Special Blend Tea with Earl Grey.

 

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Stillman & Birn Soft Cover Sketchbooks

12/28/2016

Stillman & Birn sent a few of their soft cover Sketchbooks and I am really enjoying them. The quality of S&B paper is always excellent and the hard cover version has been in my arsenal for years. It is equally fantastic for fountain pens, watercolors or mixed media. The soft cover has proven to be an even better match for my needs in several ways.

  • The soft cover journal weighs a little less than the hardcover. It’s enough to notice a difference carried in my travel pack.
  • The pages bend back a little more easily than the hardcover and become extremely flat. No barriers to painting across a two-page spread.
  • The corners are rounded which is a nice touch.
  • The soft cover has two more sheets of that lovely paper.
  • The cover is stiff enough that I can hold the book in my lap or hand to work.
  • The cover material is less inclined to slide on my desk than the hard cover version.

The question that remains is how durable the soft cover is compared to the hard cover and whether any difference is enough to matter in everyday use. My journals tend to get pampered with duty largely at my work table. They often look pristine even after months of use and so far the Stillman & Birn soft cover looks just fine. This is where the rounded corners are of benefit since they fray less easily than squared ones. Put that down to thoughtful design.

Frankly, you can’t go wrong with Stillman & Birn paper regardless of the application. Just match your paper selection to the intended use. Either cover will do the job so it’s a matter of personal preference. Both will protect your pages and provide a serviceable platform on which to work. This is truly the good stuff and very highly recommended.

Brenda Swenson review on YouTube and a second review here. Liz Steel review.

Portrait and landscape are both available at Amazon.

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First Take On A Few Products

12/24/2016

Busy, busy, busy here, but still moving forward on a few reviews. First take on several products:

  • Stillman & Birn Sketchbooks with soft covers are as good as it gets especially for those with arthritis and other hand issues.
  • Pilot MR Metropolitan 1.0 Calligraphy nib is an italic that proved to be a dry writer with Noodler’s Dostoyevsky. Will try either Pilot Blue-Black or an Iroshizuku next to see if either improves performance.
  • Lamy Studio Fine arrived with two very visible body flaws. Then I removed the cap to discover the edge of the barrel that meets the cap is ridiculously sharp and jagged. So much for quality control.
  • Coccoina adhesive smells like marzipan and is delightful to use.
  • Silver Brush Monaco Travel Case is somewhat large, but will hold eight brushes plus lots of additional tools. Looks durable, too.

There are at least a dozen inks to review along with several brands of paper plus two Fountain Pen Revolution flex models. The next few months are going to be very busy indeed.

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New Faves For 2016

12/18/2016

This past year I made some new friends. Links are to sources for the products.

Art Supplies

  • Silver Brush Black Velvet watercolor brushes – Acquired several this year. Supple, retain shape very well and hold lots of fluid.
  • Daniel Smith Prussian Blue and Transparent Red Oxide watercolors – Good additions to my transparent palette.
  • Aureolin by Winsor & Newton or Daniel Smith – Excellent yellow combined with Permanent Rose or Quinacridone Rose and Cobalt Blue for mixing a full range of colors. This has become my “Less Is More” triad and a staple for my mini kit. (h/t Pat Weaver)
  • Pentel Touch Brush Tip Felt Pen – Good at line variation whether for writing or drawing.
  • Uniball Air marker – More durable than a felt marker and glides effortlessly across the page. Makes my hand happy.
  • Buddha board – Great tool for practicing strokes without wasting ink, paint or paper.

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