The Anderson ink comparison tool is well worth saving for future reference. They carry a good assortment of inks so there is that reason to return as well.
Posts Tagged ‘ink comparisons’
Alexandra at FPN wondered yesterday if it is time to switch to spring ink. The temperature was 88 degrees here suggesting Diamine Meadow and J. Herbin Rose Cyclamen. Today it is 63 degrees and gloriously gloomy à la Iroshizuku fuyu-syogun. Perhaps at sunset, the clouds will break allowing pink or peach to emerge and complement the current shade of gray. Spring colors are on the way even if not today.
What color was your day?
Proof positive that Noodler’s Black deserves its #1 ranking on my list of favorite inks.
The paper is Greenroom recycled from Target. Made in Taiwan, it feathers and bleeds exactly like Moleskine. However, it is inexpensive and pencils do very well on it so the composition book has a use in my work flow. No significant show-through with pencil and amazingly little with Noodler’s Black. Any wonder I always have a pen loaded with it?
Perhaps a comparison of inks that tame naughty paper is in order. Which inks would you nominate for this list?
Here are some of the pens on my desk that have wide, stock nibs. None of them have received any tinkering. Purchase one, and you should see comparable performance.
The paper is Staples Bagasse that showed a little feathering with the wettest nibs. The worst offender was DeA Cola which has exhibited that fault on a few other brands of paper and the Duragraph which is certainly a free-flowing nib. Perhaps not the best combination, but I am still enamoured with it. The most well behaved was the Platinum Century Nice Pur B with Platinum Pigment Blue. No matter how long it goes unused, the nib flows without hesitation. Considering how many pens I have inked, that is a very, very good thing.
While doing ink research spurred by a shipment of samples from Goulet Pens, it became evident that turquoise is produced in a very narrow range.
From left to right, Noodler’s Navajo Turquoise, Waterman Inspired Blue, Diamine Havasu Turquoise, De Atramentis Adular Blue, J. Herbin Bleu Pervenche, Lamy Turquoise, Sheaffer Turquoise, Rohrer & Klingner Blu Mare, Platinum Aqua Blue.
After that revelation, I was curious to see how many other inks in my collection were similar enough to be mistaken one for another. There were more than a few colors that turned out to be virtual twins. To make things more interesting, swatches might look identical, but written words quite different. Four examples of similar colors though the photo does not show just how well they match.
Which does make me wonder why we collect so many inks. Not that I’m complaining, but when is enough enough or can one never have too much?
After days of tinkering, the bead inspired palette has come together in two forms. The watercolor version was easier to assemble because adding more water makes getting a close match simple. The ink version took forever as my collection lacks some of the colors that would work best. If I were to put together a palette from a single ink maker, it would be J. Herbin. Their softer colors suit the true colors of the beads quite well.
Caveat regarding the images. The ink photo lacks the vibrancy and clear colors of the swatches on my desk. Look elsewhere for better accuracy.