That is my collection of Pilot/Namiki fountain pens. Nice variety to it, but they seldom get inked. In comparison to other pen makers, I’ve experienced more flow issues with their modern pens than any other brand. While the fine nibs can be temperamental, the wider nibs and flexy ones are the most frustrating.
With more than thirty Pilots having passed through here in the last few years, I am certain their feeds and nibs are not created equal. The nibs write well enough but the flow is not able to keep up. The pens are too often hard starting and skip mid-word even failing for a full word or occasionally even several. This has never happened with my Sailor and Platinum pens. It has been a rare issue with a vintage Western pen but that could be attributed to careless handling by a former owner. My Lamy, Waterman, and Levenger True Writers have had very rare flow issues though matching ink to pen has helped in a few cases.
Pilot Elite pocket pens from the 1970’s are not so quirky though some of the Script nibs write dry and especially narrow. The ink flow keeps up nicely maintaining an even line. The pretty, decorated ones have had a higher than acceptable rate of cracked barrels so that’s a different kind of warning. However, my Socrates, Isaac Newton, and Black Striped models have been especially good writers and aren’t at all picky about brands of ink. That sort of versatility puts them on my list of favorite fountain pens.
This doesn’t mean all of their pens have flow issues. However, this post can be considered a caveat to my previous pen recommendations from the Pilot Custom 742 to the Custom 74 to the lower end Prera and 78G and the bottom of the line Plumix. Even the Namiki Falcon Soft Broad (SB) nib unlike the Soft Fine (SF) has a flow that is inadequate for the amount of ink that should be laid down. A nib adjustment might help though I’ve experienced mixed results on that score.
A free-flowing ink can improve performance a notch. Pilot Iroshizuku ink is a good match though some Diamine and J. Herbin inks have proven up to the task as well. Waterman Blue-Black is my standard test ink and one that can bring out the best in a multitude of pens so that’s a good one to have on hand. Unfortunately, ink won’t fix a pen but it can improve one that is borderline.
This isn’t meant to dissuade you from buying a Pilot or Namiki fountain pen but it is a warning. Your sleek, new pen may need tweaking to be the best it can be. Or it may only take finding the right ink and paper combination to bring out its most charming qualities. Even better, you could get a pen that is perfect from the start. Shouldn’t they all arrive that way?