For a hit of mint, either one will do.
Posts Tagged ‘fountain pen ink’
Chancing upon a written sample of Rouge Caroubier got things started. Quickly, the list grew to this first pass at spring inks:
- Diamine Meadow
- J Herbin Rouge Caroubier
- Sailor Jentle Souten
- Noodler’s Dostoyevsky
- Akkerman #22 Hopjesbruin
- Diamine Peach Haze
- Sailor Peach Pink
- J Herbin Violette Pensee
The group ought to get winnowed to five at most, but it is hard to eliminate even one of them.
Five pens were already filled. So rather than waste ink, the palette got changed to Sailor Yama-Dori, Noodler’s Dostoyevsky, Diamine Mint, Diamine Violet, and J. Herbin Cafe des Iles. Those aren’t the inks from my initial list, but they will do.
Rouge Caroubier and Meadow are looking through the pen drawer for suitable partners. Oh, wait, we have winners. Meadow chose the Pel M215 and Caroubier chose the Platinum Nice Pur. Peach Haze is flirting with the amber Conklin Duragraph. Peach Pink remains undecided so that one will have to wait. It’s a pretty color that deserves a clear demo with a wide nib like the TWSBI 580. Perhaps at the next fill. Souten is sulking because his favorite pen, the Pel M215, isn’t available. It will all get sorted eventually.
My three pen rotation has turned into a bouquet of color. What a lovely way to celebrate spring!
Clean pens, inky water, and a colorful paper towel…
My inked pens are down to three. It’s like going from long hair to a buzz cut, breezy and easy to maintain.
The skinny rotation won’t last long with a shipment due end of week, but it’s fine for now. A person could grow accustomed to living this way. For now, I am a lean, mean writing machine.
However, pen and paper tests require more variety. Though increasing the number of pens is not appealing, adding a red and a blue ink should be adequate for the next reviews. Noodler’s BERNing Red is en route which settles that color. For blue, should it be Sailor Sky High or Souten, Iroshizuku kon-peki, Noodler’s Ottoman Azure or Rohrer & Klinger Verdigris or Blau Permanent? As always, it’s hard to pick just one.
Two green inks of recent acquisition, Diamine Meadow and Noodler’s Gruene Cactus, deserve further exploration especially in clear barrels that show their inky colors to best advantage. The TWSBI Eco is almost empty and would look suitably, seasonally well-dressed in green. Well, at least that’s settled.
That limited rotation of red, blue, brown, violet and green always grows quickly to an unwieldy dozen with the addition of teal, turquoise, orange, burgundy, pink, and black or blue-black. That’s eleven with one slot open for a test ink. This is not promising. How do you inkophiles keep your rotation in check?
Alexandra at FPN wondered yesterday if it is time to switch to spring ink. The temperature was 88 degrees here suggesting Diamine Meadow and J. Herbin Rose Cyclamen. Today it is 63 degrees and gloriously gloomy à la Iroshizuku fuyu-syogun. Perhaps at sunset, the clouds will break allowing pink or peach to emerge and complement the current shade of gray. Spring colors are on the way even if not today.
What color was your day?
Do you hate throwing out even a few drops of ink? Instead of sending it down the drain or waiting forever to use the last of a fill, make a colorful background for some unique journal pages.
I used leftover watercolor in a mister, but ink will work just fine. Dilute it with water so the color is soft enough to let the written word show clearly. Let the page dry thoroughly before adding words. These mini misters at Amazon have long straws to suck up the last drop so even a small amount of fluid will be sufficient to decorate a page. As little as a single spritz can add visual appeal to plain paper.
The farther the mister is from the paper, the more diffuse the dots. Once applied the color can be smeared for a different effect. Tilt paper to make large drops spread color in any direction. Absorbent paper will reduce the time available to manipulate the fluid, but the misting will dry more rapidly. It’s a trade off.
If the result lacks color, touch a fountain pen to the wet surface to add more dimension. The same thing works with a rivulet of clear water as Leigh Reyes does in some of her ink and pen videos. If using more than one color but you don’t want the colors to mix, let the paper dry between applications. In my example, the first layer was Daniel Smith Transparent Pyrrol Orange that dried completely before adding Ultramarine Turquoise. The colors mimic this evening’s sunset and will make a suggestive background for the day’s musings.
Most journal paper will buckle, so use a light application. This Midori #013 with Tomoe River paper only wrinkled where there was a substantial amount of water. This technique will also work on plain stationery and blank greeting cards that are compatible with fountain pen ink.
Experiment with mixing colors. Even the muddy neutrals that can result from mixing more than two colors will make subtle, misted backgrounds.
Whether you play connect the dots or write daily musings, have fun with it. That’s what color is all about.