Archive for the ‘Paper’ Category

h1

A Winning Moleskine, Ink And Pen Combo

10/07/2016

A chance meeting of a Moleskine notebook, a Pilot MR Metropolitan medium nib, and Sailor Tokiwa-matsu ink revealed a very acceptable partnership. Almost no feathering and so little bleed-through as to make the backs of pages useful makes this a winning combination. I am not a huge Moleskine fan, but in this case, paint me happily surprised.

Note that the left hand page was not written with Tokiwa-matsu. It produced far less ghosting and bleed-through than pictured.

Moleskine, Pilot Metropolitan and Sailor Tokiwa-matsu at Amazon.

h1

Sunday Reads From Ink To Paper And Back To Ink

10/02/2016

Save the last link for last because you are going to get stuck on that one…

h1

Hey, That Isn’t A Fountain Pen!

09/17/2016

Not every writing tool on my desk uses fountain pen ink, but all write well in Staples Arc notebooks, my paper mates for the next couple of months. Moving pages from one notebook to another is working out very well for my work flow. Staples paper liked every tool tested and the junior size is just right for my small work space.

My main writing instrument remains a fountain pen, but lightweight felt tips and rollerballs have their charms. Do you ever stray from fountain pens? If so, with what?

Links to buy the tools:

h1

Sunday Reads From Tomoe To Ink To Graffiti

08/28/2016

Another diverse group…

h1

Pentel Touch Pen Meets A Midori Traveler’s Notebook

08/20/2016

The Pentel Touch Sign Pen (SES 15C) with a flexible nib is amazingly smooth on Tomoe River paper. That means the Midori Traveler’s Notebook (013) is a good mate. Note there is ghosting as happens with most pens on such thin paper. Bleed-through only occurs when I overwrite to darken the color. Otherwise, there is none.

My review from a few weeks ago was on Moleskine, but I wanted to show how well the Touch Pen and Tomoe get along.

The full set of pens is still on my list, but for now, the black, sky blue and yellow ochre make a nice trio. At least one of them will work on every paper in my stationery collection. That makes my three pens practical as well as a lot of fun.

h1

Moleskine Surprise

08/05/2016

When it comes to journals, Moleskine has set the standard for form. Sturdy, but lays flat. Natural white paper. Ribbon marker. Elastic band and rear pocket. The size is just right in the hand. But in recent times, the paper has left much to be desired when it comes to fountain pen ink.

When I started using Moleskine some twelve years ago, my pens were quite happy with it and the few inks I owned would cozy up to the paper and leave marks with clean outlines. Extra-fine and fine nibs were perfect, especially a vintage Parker 51 fine-medium that was the pen I carried everywhere.

Skip forward a few years and the paper quality suffered. Spidery feathers bloomed from every letter and blobs of ink showed through on the backs of pages making them worthless. One-sided writing cut the value of the pricey journals by half. Moleskine betrayed my trust and I swore off for good.

To be fair, paper sources can change over time and being ever hopeful that the company had come to its senses, I tucked a squared notebook into a recent Amazon order. The wrapper says “Mix. Paper from responsible sources.” What does that mean? It also says the notebook was manufactured in China. Lots of paper comes from China, but most of it isn’t fountain pen friendly. Hoping to be surprised, I put the Moleskine to the test.

Every instrument except the fountain pens worked well enough that both sides of the paper were useful. Clean outlines and almost no feathering with only very faint ghosting from the Sharpie Pen and the Pentel Touch make the Moleskine an excellent choice.

The scan shows a new Moleskine at the upper left with a Rhodia notebook to the right. The bottom two are Moleskine journals purchased several years ago. The recent Moleskine has paper that is more white than in the past which is another indication that the paper is from a different batch.

Fountain pen ink produced mixed results. To the good, feathering has been reduced. Not gone entirely, but spidery offshoots did not happen. That is a significant improvement over the Moleskine journals I last purchased. Outlines are less jagged though under magnification still imperfect with some inks. It isn’t Rhodia quality, but it will do.

Bleed-through on the reverse proved frustrating, but ink and nib width made a difference. Noodler’s Black in a fine nib was perfect. Sailor Peach Pink did not bleed even from a Platinum #3776 Music Nib. J. Herbin Bleu Azure from a Platinum Century B Nib left only a couple of dots. Other inks in wide nibs left so many spots that the reverse was unusable at least by my standards. However, a dry nib or an extra-fine to fine nib should have less trouble. The narrow nib for many users will be more suitable for the size of the journal and the 5 mm grid spacing anyway.

The bottom line is Moleskine has improved the quality of its paper at least in the grid notebook I tested. Some pen and ink duos will work beautifully on both sides of the paper. If you only write on one side, use any pen and ink. With the feathering reduced, Moleskine is no longer off my list. Is it time to put it on yours?

 

 

 

h1

Pen And Paper Links

07/31/2016

Busy Sunday, but there are a few things to share…

That is a watercolor palette under the strap along with an Autopoint mechanical pencil, travel brush, Lamy Safari with Noodler’s Lexington Gray, and a Stillman & Birn Epsilon Sketchbook. Ready, set, go!

%d bloggers like this: