This is not a recommendation for TWSBI products, but if you were waiting to weigh in with an entry-level model, the new ECO might be for you. There has been discussion about it for months and it finally became available today. I will say that the price of $28.99 for a 1.1 stub is very reasonable. There are no reviews yet so you are on your own. Interested?
Archive for the ‘Fountain Pens’ Category
Sometimes a favorite ink gets overlooked for the sexy new bottle on the shelf. With hundreds of inks on hand, it happens all too often here. Fifteen are inked at the moment and many are getting far too little use. Not good for the pens when evaporation uses more ink than putting pen to paper.
Recently while scouring my collection for the best of the old-timers, Stipula Calamo Verde Muschiato earned a slot in my rotation and wound up in two pens. That’s something that never happens, but in this case, it was a valuable reminder of how well Verde Muschiato performs and that it belongs on my list of top twenty inks.
Actually it fell into disuse when its best mate, a Pilot Elite Manifold Pocket Pen, got sold and its second best mate, a True Writer Masuyama Stub, broke. Both were wet writers so it was a surprise to see the even better performance and shading with a dry cursive italic nib, also a Mink (brown) True Writer modified by Mike Masuyama. This TW has made a lot of friends in the brown family of inks, but Verde Muschiato is the best of the lot though it is more green than brown. No matter. Not every ink and pen need be matchy-matchy. It counts more that the writing looks good which is certainly the case here.
Has half the year gone by already? Sheesh. Where did the days go? At least some if them went into research and testing more inks than I can count. A few of those results have been posted, but there are more to come.
Most recently I experimented with Platinum Pigment Inks from Luxury Brands USA and the results have been eye-opening. Lisa Vanness assured me the line is safe for my pens so I loaded Blue and Rose Red into a couple of Platinum pens. Happily, the inks turned out to be undaunted by even the Moleskine challenge. The only drawback so far is that the Blue in a wet nib can be slow to dry on some brands of paper though the Rose Red less so. Pen-ink-paper matching applies.
An amber Conklin Duragraph 1.1 Stub joined the herd a couple of months ago. It won’t get a separate review since the cracked ice model got its due in January. Suffice to say it’s a smooth, wet writer with a hint of feedback. It isn’t for everyone, but will suit those of us who enjoy a wide nib with tons of flow. Oh, yeah!
Early in the year and after reading many posts and watching dozens of videos about the best planners and how to utilize them, I concluded that using plain grid paper would be something different and interesting for 2015. So I began collecting a few products in the pursuit of paper bliss. Thanks to Jet Pens, paper-oh, and Exaclair, things got off to a good start. But then friends donated a few more and notebooks are still arriving. So the comprehensive review has gone on the back burner until all of the paper arrives. The test pens have been loaded for months and keeping fifteen of them happy has been quite the challenge. A few have complained which I find quite cheeky. That got sorted with the miscreants by a thorough cleaning and a return to the pen drawer. Hrumph!
One of these days, when the lighting conditions are just right, there are at least eight pages of ink tests on Moleskine paper that will get photographed. Not sure any text will be needed for the post since the results will speak for themselves.
Old notebook covers have been pressed into service with new paper notebooks that are ink friendly. That made me rethink tossing even the most shabby ones. With the right paper, re-purposing is easy. This is one virtue that is a bargain.
Over the next few months, the plan is to mix things up with ink and grid journal reviews along with other subjects pen-related. However, there might be a sprinkling of notes about my rescue dog, Macy, should she sit still long enough for a photo. If you want more of one than the other, do let me know and I will try to oblige.
Note that Rose Red leans more orange than the image. Some colors just do not want to be photographed correctly and this red is one of them.
When it works well with fountain pen ink, Paperchase is just right. When it doesn’t, it fares no worse than Moleskine and with less bleed-through. At the price point, it is a viable alternative and with many inks, it is a better paper for clean, clear writing.
For testing purposes, I purchased the Purple Metallic Notebook (7.5 x 5.75″). It has a textured softcover, rounded corners, and sewn binding that holds 128 pages/64 sheets. This is a no-frills cahier style notebook with only a small, discrete logo printed on the back. Count me a fan of its minimalist but colorful design.
The off-white paper has a smooth finish and pale gray lines, a good combination for fountain pen use. Line width and line color are identical to Moleskine while the paper is slightly less yellow. Half the inks tested produced clean lines and an unusual degree of shading. The other half experienced some uneven outlines though little feathering along the fibers that paper like Moleskine can produce. Bleed-through was evident with some inks, though for the most part only the occasional dot.
Worthy of note is that most inks dried slowly so lefties beware.
Show-through or ghosting depended on ink flow and was evident with all inks tested. Some inks produced too little to be offensive especially when paired with a fine nib. With thin paper, this is common and frankly I don’t mind the look of it. Wide, wet nibs deposited too much ink making the backs of pages less useful. Free-flowing inks may produce the same result. To demonstrate how unpredictable I found this problem, Sailor Tokiwa-Matsu and Iroshizuku tsuki-yo in Pelikan italics exhibited more show-through than Diamine Dark Brown in a Platinum #3776 Music Nib. Platinum Pigment Ink showed through the least even with a very wet broad nib. That does not hold true on Moleskine where the same pen and ink made a mess with both feathering and bleed-through.
Confusing? This is one of those situations where matching ink, pen and paper could make Paperchase work well for you. Or you can take a more relaxed perspective and just write with whatever is at hand. Most of my journaling will never get read so it doesn’t matter whether a page has marks from the other side that show through. As long as I am writing, all is well.
For convenience I often carry a green metallic Lamy EF loaded with Noodler’s Black. The duo performed perfectly in the Paperchase journal. The ink did not bleed through so both sides of the paper were usable and since black is highly visible even in low light conditions, I could write anywhere. Thus all of my off-site requirements were met. In addition, the Lamy barrel is a pleasing contrast to the purple notebook cover. Attractive tools do tend to trigger my creative urges and that is a significant plus.
Along with the notebook, I picked up a packet of three larger cahiers (8.5 x 5.75″), one blank, one lined and one printed with a pattern. I couldn’t resist the foldaway bag in the Secret Garden pattern and put it to work immediately. It travels in a diminutive carrying case with a clip that will make it a steady companion for shopping excursions or a carryall for my doodle kit and journals. I managed to stuff it with purchases from two shops plus my daily notebook and writing instruments. Not too shabby at all.
Despite the iffy performance with a few inks, I will continue to purchase Paperchase notebooks. The form suits me very well and the ease of buying it at a local store along with the reasonable price, makes it a worthwhile addition to my paper wardrobe.
All of the Paperchase items were purchased at Staples and are available in several patterns. The metallic notebook was $4 and the 3-pack of larger notebooks was $8. Even my frugal budget monitor cannot frown at those prices, and if he does, he will get laughed at to be sure.