Leuchtturm1917 Ink And Watercolor Tests01/12/2016
Pen friends are great! One of mine sent a Leuchtturm1917 Squared Notebook that she thought I might enjoy. She was right. The soft surface of the paper is kind to nibs as well as my hand. The pale gray grid on ivory paper is even easy on the eyes. All to the good. However, a reader mentioned that he was having trouble with bleeding so I put my dozen ink rotation to the test.
Four of the twelve inks bled and showed slightly stronger marks than the photo. Iroshizuku tsuki-yo and Diamine Merlot left dots behind on almost every paper and remained true to form here. Great colors, but disappointing performance except with the finest of nibs. Earlier in the year, I wrote pages with Sailor Tokiwa-Matsu, Pelikan Violet and Iroshizuku yu-yake without bleeding. In order to use both sides of the paper, I have to be a bit selective with using free-flowing ink in a wide nib. Not a big deal since I love the paper’s texture and the size of the notebook.
The mild Moleskine-like feathering is only visible on close inspection and is not a deterrent for my purposes. The show-through was not offensive and in line with the 80gsm paper.
The surprise was that a light wash of watercolor did not exhibit any feathering or bleeding and so little buckling that the reverse can be written on with a fountain pen. That last is impressive and very convenient for my tendency to write about all kinds of things in my journal.
The form factor, paper texture, grid size and color, make the Leuchtturm1917 Squared Notebook a worthy contender for your affection. It may not be perfect, but it’s good enough for me.