I’m In The Mood For Green – Ink That Is

There are four green inks that form the mid-range of my green rotation. Each is different enough to get its own time usually in one of my Pilot Elite ‘Socrates’ pocket pens and when I’m in a bold mood, a Lamy Vista 1.1 mm calligraphy nib.

• Diamine Kelly Green has the most yellow of the green inks and shades incredibly well from light green at the tops of letters to shamrock green at the bottom.
• J. Herbin Lierre Sauvage is less yellow and might be considered the truest green of the bunch. It shades less and offers more consistent coverage than Kelly Green.
• Rohrer & Klingner Verdura starts the transition to blue-based green. The blue isn’t strong but is definitely present in greater measure than yellow. Shading is more subtle and the flow a bit dry compared to the other green inks.
• Iroshizuku Shin-Ryoku is the most blue of the group. Depending on the paper it can produce excellent shading with excellent flow. Even though it leans decidedly blue, it is definitely a green.

In that same color range ,Diamine Umber, J. Herbin Vert Empire, and Diamine Emerald get high marks, too.

No one has done a better job of comparing green inks than geoduc with two outstanding posts (#1 and #2) at FPN. Be sure to scroll through all of the graphics. It’s an amazing body of work.

Starting Out The New Year With A Clean Sweep

What better way to start the year than with a thorough cleaning. Ten pens got the treatment and are drying, nibs down, in a wad of paper towel. That leaves a mere five for general use and two for testing. Does that sound like a lot? I assure you that is lean for me.

• Parker ’51′ Aero F with Noodler’s Zhivago
• Parker ’51′ Aero Special XF with Noodler’s Black (pen test)
• Sailor 1911 F with Noodler’s Red-Black
• Lamy Vista 1.1 with Iroshizuku shin-ryoku
• Levenger Mink True Writer Masuyama CI with Noodler’s Kiowa Pecan
• Montblanc 220 OB with Rohrer & Klingner Magenta
• Pilot Elite Socrates F Pocket Pen with Diamine Presidential Blue (ink test)

When a fountain pen won’t do, there are four more writing instruments at hand.

• Levenger Starry Night Roller Ball with a black felt tip refill
• Autopoint Mechanical Pencil
• Pentel Pocket Brush Pen with a black cartridge
• OXO Pink Highlighter

Elena sent a couple of Mitsu-Bishi 9800 2B pencils that will get some playtime soon. It’s likely the Levenger Kyoto True Writer Masuyama Stub will get a load of Iroshizuku syo-ro or possibly Private Reserve Ebony Blue in the near future. I love writing with this pen so it never stays clean for long.

That’s my winter rotation. What’s on your desk to start the new year?

A Few Fountain Pens For Sale

Need a fountain pen? As my collection has become more focused, several have fallen on hard times with no use in over a year. Time to send them off to new homes.

Basic rules:

• Contact me at inkophile *at* gmail.com to ask a question or make a purchase.
• Payment via Paypal at price plus shipping costs.
• Shipment within 72 hours of cleared payment.
• Domestic shipping via USPS Priority One Rate will be $5.20 for a small box. At buyer’s expense for non-US shipment.
• Additional insurance and tracking fees are responsibility of buyer
• Combined purchases will increase shipping cost if larger box is needed
• If the pen is not as described, please return it within 7 days.
• For items new or New Old Stock (NOS): If you ink it, you keep it.
• Original pen box available for some but not others.
• Used pens will not be perfect. Idiosyncrasies are noted if known. There is a list of pen vendors in the sidebar, if new suits you best or you prefer a warranty. Hey, I tend to buy new as well.

All of my Japanese pocket pens were made in the 1970s so they are not pristine. However, some are more perfect than others. Either an empty cartridge or used converter is included so you can put your pen to use without delay.

Some of these pens got a fill or two here while others were never inked. There isn’t much I can tell you about them beyond what is in the descriptions.

Lastly, take the color of the pens with a grain of salt. Black will of course be true but other colors may not be so accurate. It’s fine if that puts you off and you look for a pen elsewhere. I would much rather you be happy with your pen purchase from another source than to sell you one of my pens that is a disappointment.

Now for the goods…

Inkophile Pens for Sale - #1

Inkophile Pens for Sale - #2

Inkophile Pens for Sale - #3

1. Platinum Pocket Pen in frosted silver with gold trim. 18k fine nib with white plastic section. Made in the 1970s and still has its sticker. I have never inked this pen and cannot say whether anyone else ever has. It uses Platinum cartridges and an empty one is included to get you started. The cart is well-designed with a small metal ball that floats in the chamber to keep the ink flowing. There are no converters made for this model. Length is 4 3/4″ capped and 5 7/8″ posted. Let me know if you would like to purchase a box of carts along with your pen. Sold
2. Platinum Pocket Pen in black with a double-sided 14k nib, one side is fine while the other is medium. This is a dry-writing pen that works best with free-flowing inks. It uses cartridges only and there is an empty one included. Length is 4 7/8″ capped and 6″ posted. There are a few boxes of cartridges here if you are interested. $85 US
3. Waterman 52, ca. 1915-1929 in black chased hard rubber (BCHR) with nickel trim. The 14k Ideal nib is a semi-flex fine to medium. It has no clip and the lever-filler has no brassing. The nib has a slight hook and writes a bit scratchy. However, a lubricating ink, light touch, and smooth paper make it fun to use. This pen has been professionally serviced and is overall in good condition. Note that the nib is slightly discolored though you might be able to improve on that. Length is 5 5/16″ and 6 5/8″ posted. $100 US
4. Waterman Lady Patricia, ca. 1930-38, semi-flex fine 14k nib. This is a small but lovely pen that has been professionally serviced. It is onyx plastic with a red, hard rubber section and cap edge. All trim is gold-filled metal. The pen is in good condition with typical discoloration plus a few scratches on the clip but very little brassing. The nib is not bent though it may appear so in the close-up image. Length is 4 1/4″ and 5 3/8″ posted. $125 US
5. Parker Vacumatic, ca. 1943, in azure blue with a 14k fine to medium nib. Very good transparency but shows signs of wear and a few spots of brassing on the cap ring. This pen has been repaired and the cap replaced. The end cap narrows slightly but fits well. The plunger filler works as it should. Consider this a user pen with a very good nib. Sold

Inkophile Pens for Sale - #4

Inkophile Pens for Sale - #5

Inkophile Pens for Sale - #6

1. Levenger Verona fine nib in marbled gray plastic. The 14k nib is dual-toned and in perfect condition. The barrel has some scratches so it is user grade. The nib writes like a medium but I find Stipulas to write wider than the nib size states. The flow is good with some inks but not others. A new converter might help with the flow. The cheap one it came with is not impressive. Sold.
2. Pilot Prera in ivory with stainless medium nib. That original nib has been swapped for a medium italic from a Pilot Plumix but you can easily swap them back. Both pens are included in this item along with a squeeze converter for the Prera. Length is 4 3/4″ capped and 5 3/8″ posted. $45 US
3. Pilot 78g in black with a broad nib but it really is an italic. It comes with a squeeze filler and is in like new condition. In fact it may never have been inked. Length is 5 1/4″ capped and 5 7/8″ posted. Sold.
4. Pilot Elite Pocket Pen Script Nib with Silver Luster Cap. The nib is a double-vented, fine firm 18k script nib. The extra vent increases ink flow which really benefits this dry-writing pen. The cap can appear either silver or champagne colored depending on the light. Length is 4 1/2″ capped and 5 5/8″ posted. Sold.

Inkophile’s Favorites for 2010

Some new, some old, here are a few of my favorite things…

• Rohrer & Klingner Ink – Two colors have been in my cabinet for years so this was not a brand new find. However, when Pear Tree Pens began to offer it this year, I started to expand my collection and am happy to report R&K has earned several places in my regular rotation. Solferino, Verdigris, Alt-Goldgrün, and Magenta are my current favorites but Morinda and Blau Permanent are not far behind. The palette is a well-round offering with something for every need. At $12.50 for 50ml the cost is in my acceptable range especially considering the quality.
• Iroshizuku remains the ink that tops my guilty pleasures list. For color and performance this one is hard to beat. Ku-jaku joined my collection this year and instantly won a place on my favorites list displacing several turquoise and aqua inks.
• J. Herbin Ink continues to be my mainstay. There isn’t a dud in the bunch plus they are exceptionally easy to clean from a pen. Lie de Thé is my favorite and most-used brown with Poussière de Lune in my rotation nearly as often.
• A sample of the Rhodia dotPad (courtesy of Karen at Exaclair) quickly earned a place in my paper arsenal along with anything from G. Lalo now that I’ve tried various weave samples from Jean Elie at Pen and Co.
• For calligraphy or flex nib practice, Clairefontaine French-ruled paper rules here. Thick, juicy ink lines dry slowly but it is definitely worth the wait.
• This was a lean year for me when it comes to new pens but a Noodler’s Fountain Pen was a nice addition to my collection. I am fond of ebonite so that added to its appeal.
• Courtesy of the generous Peggy Love (who also insured I have a lifetime supply of Apica Journals), I got my hands on a trio of Levenger True Writer Rollerballs with Fiber Tip refills. They won’t replace my fountain pens but they certainly are convenient and very easy on my hand. These pens are useful for writing situations that include frequent stops and starts since they do not have to be capped as quickly as a fountain pen. I have enjoyed filling pages with doodles and even managed a bit of line variation by playing with the angle at which the nib contacts the paper. A girl’s gotta have fun, you know?
• An old favorite has taken up residence in the number one position in my rotation and it isn’t a fountain pen. Shocked? Well, sometimes you’ve just got to go with what’s convenient and a mechanical pencil is hard to beat. No uncapping, no flow issues, no muss, no fuss. While I only use it for notes to myself, that is what I write most often so why not use the best tool for the job? Besides anything that works on a Post-It gets high marks from me. After trying several mechanical pencils, I’ve concluded that my old Autopoint Jumbo All-American Pencil, with a 0.9mm HB lead, is just right. Because the wide lead does not dig into paper, it erases easily. Unlike my other MPs, the lead has never broken. Not once! While that is in part attributable to the chunky lead, it is also a result of the design of the pencil. Years ago I bought the ivory and the red. The former blends in while the latter stands out. Both are winners in my book.

 

Inkophile's Favorite Products for 2010

 

So that’s my list of new or rediscovered items for 2010. Unlike in years past my regular rotation remained the same led by a Sailor Sapporo, a 1911 and a couple of Pilot Pocket Pens. The Pilot 742FA and Montblanc 220 OB are off for repair so we shall see how they work out on their return in January. There is one Lamy Safari with a custom cursive italic nib that is always inked with Montblanc Racing Green. It remains my #1 writer though I wish the nib had a snazzier body. Two Namiki Falcons with soft fine nibs are always close at hand and a Levenger True Writer is usually inked as well. That makes my core rotation total seven pens, give or take a True Writer or two.

Inks come and go but I am consistently pleased with Waterman Blue Black in my vintage pens especially those with flexible nibs. At the price point and with its easy availability, WBBk is an excellent match for pens that go through a volume of ink. It is also a good one to include with a gift pen. It won’t cause damage and it writes well from any nib. If the recipient loves it, a new bottle can readily be found.

Rhodia, Clairefontaine, Quo Vadis Habana, and Apica continue to be my favorite brands of paper. Triomphe and G. Lalo are excellent stationery though often I use a lined Rhodia pad for casual letters. For variety I have a few pads of Japanese paper that are lovely with even the roughest nibs. Lastly my stock of the long discontinued Exacompta Black Block is waning so I don’t use it as often as I would like though it has a softness that suits me perfectly. If you run across this one, do let me know. I would love to add a few tablets to my reserves.

So that’s my list of favorite things. Rumor has it that Santa just might have on his sleigh one of the new Noodler’s flex nib pens with a bottle of Noodler’s Black Swan in Australian Roses. Yeah, I know. That’s a mouthful but can you picture that pair? The demonstrator (clear) model with plum ink should be lovely. Hopefully, it gets delivered to the right home. I don’t think any of my neighbors would appreciate this dynamic duo but I could be mistaken…maybe…

So What’s The Deal With Iron Gall Ink

Iron gall ink is old. Really old. Traces of it have even been found on the Dead Sea Scrolls. It has been around that long but does it belong in your fountain pen?

Iron gall became the ink of choice during the Middle Ages and was common well into the 20th century. Made from iron salts and tannic acids from vegetable sources, the blue-black is the quintessential vintage color.

Originally used with tools like reeds, quills, and later dip pens, these inks fell out of favor with good reason as fountain pens and modern formulations emerged. Not only do iron gall inks have a reputation for damaging pens but writing surfaces as well. In other words, those old formulas did not play well with paper.

Recent inks are less risky because they contain only small amounts of the offending components. Diamine, Montblanc, Lamy, and Rohrer & Klingner offer blue-black colors with R&K adding a purple version as well.

That iffy reputation made me reluctant to risk pen damage. However, when Pear Tree Pens offered an appealing discount on ink, I couldn’t refuse.

For the past week I’ve tested the two made by R&K. The colors are excellent for conservative uses and the properties are in line with some of my favorite brands. Flow, drying-time, coverage, show-through and bleed-through all measured well for me. There is some question about how light-fast these inks might be but I haven’t used them long enough to have an opinion. If you like shading, both Salix and Scabiosa are lovely.

Some people use iron galls with good success though others report these inks can do serious damage to pens if maintenance isn’t regular. Then there are those pen users who report no issues despite infrequent cleaning but I suspect they use their pens often enough to prevent ink drying out in the feed or nib. Or perhaps they are exceedingly lucky.

Despite those good reports, I find it hard to make a full-fledged recommendation for what is likely a high maintenance ink. It is worth noting that the companies that offer them are top-notch so that is an endorsement of sorts. Thus if you practice careful pen hygiene, you might enjoy Salix or Scabiosa in your regular rotation.

Using these Rohrer & Klingner iron gall inks has been a bit like tapping into history. In fact one of them could be just the mate for that vintage-looking leather covered journal I’ve been considering. Hmmm…

 

Rohrer & Klingner Salix and Scabiosa Inks

Pens and Inks for Summer

For the last two weeks, my pens and inks have taken on summer hues. Inks more than pens but black is a neutral, right?

Summer Pens 2010

While other inks and pens will surely get added over the next few weeks, my current rotation includes

• Mabie Todd ‘Jackdaw’ Stub with J. Herbin Lie de The
• Sailor Sapporo with Iroshizuku Ku-Jaku
• Namiki Falcon SF with Diamine Violet
• Lamy Vista 1.1 italic with J. Herbin Rouille D’Ancre
• Lamy Safari Custom Cursive  Italic with Montblanc Racing Green
• Montblanc 220 with J. Herbin Larmes de Cassis
• Pilot “Isaac Newton” with Rohrer & Klingner Solferino
• Pilot Blue Flower Pocket Pen with J. Herbin Bleu Pervenche
• Yellow Levenger True Writer with Rohrer & Klingner Alt-Goldgrun
• Retro 51 Scriptmaster II in Clementine with Iroshizuku Yu-Yake

There are five fine nibs, four stub/italics and lastly one lone, flex nib. Not until I completed the list did I realize how well it represents my usual choice in nibs. Unintentionally, I picked just the right mix of pens.

Summer Ink Palette 2010

The inks were a bit more considered but still without a true plan. Summer weather does call for lighter, cheerful shades like orange and turquoise. Larmes de Cassis fits the season as well. So the inks skew a bit softer than my usual rotation.

Just to keep things from getting into a rut, I’ve also have at the ready two Levenger True Writers with fiber tip refills, one black and one blue. Veering even further from the fountain pen fold, a couple of Pigma Microns showed up in orange and evergreen. Those two will make colorful notes on anything including an old Moleskine Cahier with paper that just doesn’t play fair with fountain pen ink.

Well, that’s my seasonal kit. Varied and colorful it invites playful use which is just the thing for the lazy days of summer.

How about you? Do you have a group of pens and inks that suit this time of year?

Variety Makes Writing Spicy

Not THAT kind of spicy but the sort that makes picking up one of the pens on my desk produce a wee jolt of anticipation if not inspiration. But sometimes I have to work at getting things under control. So over the weekend I bathed fountain pens…lots of them.  Below is what remains in my rotation after cleaning every pen that did not have a good quantity of ink in it.

Fountain pens on my desk now

• Lamy Safari Custom Stub with Montblanc Racing Green
• Lamy AL-Star EF with J. Herbin 1670
• Lamy Vista 1.1 mm italic with Rohrer & Klingner Morinda
• Pilot Elite ‘Isaac Newton’ F with Rohrer & Klingner Solferino
• Pilot Elite ‘Socrates’ F with J. Herbin Lierre Sauvage
• Pilot Elite ‘Socrates’ F with Noodler’s #41 Brown
• Pilot Elite F with Rohrer & Klingner Magenta
• Levenger True Writer F with J. Herbin Gris Nuage
• Namiki Falcon SF with J. Herbin Eclat de Saphir
• Sailor Sapporo F with Iroshizuku Ku-Jaku

Fountain pens waiting in the wings

• Montblanc 220 OB
• Waterman Carene Stub
• Lamy Safari custom fine cursive italic
• Levenger True Writer B
• Sailor 1911 F
• Pilot Black Stripe F

Inks looking for a mate

• Rohrer & Klingner Alt-Goldgrun
• Sailor Sakura Mori
• Sailor Waka Uguisu
• Diamine Mediterranean Blue
• Iroshizuku Yu-Yake

Obviously my tastes are all over the place especially when you take into account all the other writing implements close to hand like four mechanical pencils, five fiber tips from Pentel Sharpies to Pitt Artist Pens and two Levenger True Writer Rollerballs with fiber tip refills. Oh, there are two Pilot Pocket Brush Pens in a case, one with Pilot black ink and the other refilled with J. Herbin Lie de The. Then there are a number of dip pens at the ready just in case only a few words in a color are needed or I am so impatient with a new ink that a quick dip is necessary to assuage my curiosity.

Whew! Now, after all that I have a question. I do test a lot of inks so that justifies some of that excess but do any of you feel the need for such variety on your desk at one time? If so, do tell. What is on your desk today?

Old Journals

Do you miss your old journals? I miss mine at least when they are first retired. Flipping through lots of old entries with their colorful inks often inspires me to start a new page. New journals just seem empty and soulless for at least the first third or so. New covers do have the advantage though. Pristine, perfect, well, until they get smudged with tea, coffee, ink, or other evidence of use or sometimes even misuse.

Apica Journal and Friends

For nearly three years my daily journal has been the Apica 6A10 and #5 will shortly join its predecessors on the shelf while #6 gets initiated. The paper is soft green-gray with pale gray lines. My fountain pens rarely fail to get along with the Apica paper so I am assured of a pleasant writing experience. Bleed-through and show-through are not an issue so I get 200 sides of lovely writing surface. The thin cover gives it a floppy, well-used feeling right from the start but even that improves with use.

Sometimes I want to dress up my Apica and take it out for a treat at the local coffee shop. On those occasions a Levenger Notabilia leather cover fits well enough to make it look upscale and professional.

Even so using that cover seems like a betrayal and attempt to prevent the very things that make my journal mine. It’s all those little smears and smudges, reminders of events that couldn’t be controlled or perhaps weren’t important enough to control. There are drops of Earl Grey tea inadvertently contributed by a friend. Then there was the day I spit coffee on my monitor, keyboard, and adjacent papers over a ROFLMAO joke. That joke may have faded from memory but the coffee stains certainly haven’t. Another time an ink spill revealed a delicate shade of pink that exactly matched the throat of the hummingbird outside my window. All were unique moments to be sure.

Long after I have forgotten these events though, my journal will remember. That is part of its purpose: to remember my life when I no longer can.

Pen vs Nib Poll Results

The results are in from last month’s poll.

Fountain Pen vs Nib Poll

Nibs win!

You folks really like your nibs. Looks count but nibs count more.

I’m with you. Not that a pretty piece won’t turn my head but if it’s got a stinky nib, all the looks in the world are wasted on me. Better the pen should go to someone who will appreciate it. Actually, comfort matters more to me than appearance but that’s a subject for a different post.

86% of you want good if not great nibs. Thus companies that fail to make quality nibs a priority are missing what makes fountain pens worth buying. Some companies think so little of their pens that they offer nibs in one size only. Do they really think we all love the ubiquitous, generic medium? Perhaps they smugly think looks are all that count. How horribly shallow of them.

Worse are the nibs that come in a variety of sizes but need repair just to be useful. If you get stuck with one of those turkeys, do return it. One would hope a manufacturer or two will get the message. Or maybe they should stick to roller balls and ball points. Those instruments are far better suited to a one-size-fits-all manufacturing and marketing strategy.

Which pen makers are doing things right?

For those of you who demand beauty as well as a great nib, which pens make your best of the best list? Not to make less of a single great pen, but it would be great to hear about companies and pen models that consistently deliver what matters most.

My nominees are the Sailor Pro Gear, 1911, and Sapporo Series. I currently have three and sold a fourth a year ago. Not one has been disappointing. My preference is the rhodium trim but the fit and finish are beautifully done on the gold models as well. Light heft, quality and consistency make these pens true winners.

More pens worth considering

There are many brands for which my experience is too limited to make a recommendation or my collection does not include enough new pens to put them on the list. I’ve eliminated used pens for lack of certainty that the pen I own is truly representative of the model.

Pilot Elite Pocket Pen

Pilot "Isaac Newton" Fountain Pen

Pilot Custom Black Strip Fountain Pen

My Pilot pens are a good case in point. I have five of various finishes from the 1970s and early 1980s. All are fine nibs (not script nibs) and write very well for me. However, I was not the first owner so I don’t know if the nibs were repaired or modified. I just know they are excellent now.

There are two other brands for which I own multiples of a  model but inconsistent nibs keep them off my list. That’s an indictment as well as a disappointment but it certainly does make the really good ones stand out.

Lastly, there is another good pen but it is not an out-of-the-box favorite. It’s the original version of the Namiki Falcon with a soft fine nib. The build quality is not quite as nice as the Sailors but good nonetheless. The new metal version may be quite different but I have yet to get my hands on one. Unlike the Sailor pens, in my experience the nib requires a period of breaking-in to become all it can be. I am hesitant to recommend a model that has a caveat but it’s a good pen if you are willing to give it enough time. Some people like the soft medium better than the soft fine and I can see why though I think a soft broad would be even more fun.

Ink counts, too.

12% of the people who participated in the poll are more excited by ink but terrific pens make using those fabulous colors even more fun. So if you have a favorite or two, do include your pen choices in the comments. Inkophiles need pens, too.

Pen, Paper and Ink Finds for 2009

It only takes a brief glance around my office to see that I have tons of great products to enjoy. Many were new to me this year though a few sat around far too long before getting a chance to play.  All of this turned out well in the long run, as I am enjoying them immensely now.

So here is a list of some of the best things that became Inkophile favorites in 2009.

• Pentel Pocket Brush Pen – Whether used with pigment ink or J. Herbin Lie de Thé, this pen is great fun.
• Pilot Elite Pocket Pen with a soft fine nib – For everyday writing with a little variation, this is my ideal pen.
• Waterman Deluxe Carene Stub – A sturdy, well-balanced pen that lends an italic flair to my writing.

• De Atramentis Sepiabraun – In my Namiki Falcon it produces both shading and outlining.
• De Atramentis Stihlblau – A bright medium blue with a little green in it. It’s a happy color.
• Diamine Vermillion – A watercolor-like orange-red that isn’t shy.
• Iroshizuku Tsuki-Yo – An almost dark blue ink with a hint of green and great flow.
• J. Herbin Perle Noire – I am not a fan of black ink but this one won me over.
• Montblanc Racing Green – Every time I use this ink it looks made for me. My new signature color.
• Noodler’s Red-Black – Defies description but does resemble aged brick, sort of.
• Private Reserve Orange Crush – Deep red-orange that can produce writing that is orange at the top of each letter but red at the bottom.
• Sailor/Pen Gallery Uranari Green – This is a limited edition that is easily my favorite green ink for 2009.

• Clairefontaine French-Ruled Notebook – My favorite paper for flexible nibs.
• Exacompta Basics Sketchbook – The perfect match for my Pentel Pocket Brush Pens.
• Exacompta Index Cards – Work very well with fountain pen ink.
• Exacompta Journal 21 – Love the paper but want it in an undated journal. It’s super smooth.
• G. Lalo Verge de France Rose Stationery – Works will all my pens and inks.

Even with all this expansion to my collection, there remain two holes that I hope to fill in 2010: a light-weight stub nib and a full flex nib, preferably 14k with converter fillers and long enough to use without posting. The maker matters less than the quality of the nib. There may come an ink or paper that catches my eye as new product is released during the year but the pens are what I would use most.

So those are my new favorites and my wish list for next year. How about you? Any standout favorites from 2009? What will you look for in 2010?

(Note that more than a few items on my list were gifts from Karen Doherty at Exaclair, Inc., U. S. distributor of J. Herbin, Exacompta, G. Lalo, and Clairefontaine. De Atramentis Stihlblau was a gift from Ryan Roossinck of The Pear Tree Pen Company. Several inks were gifts from friends who had no connection to any retailer or product line at the time the gift was sent. A very big thank you to all of my generous friends. You have introduced me to products that will be favorites forever.)