Posts Tagged ‘Noodler’s ink’

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Noodler’s General Of The Armies Ink

10/18/2014

Noodler’s Ink has a new release with a split personality. General of the Armies is dark green when wet, but blue when dry. If your pen has an inkvue window or it is a demonstrator, this ink will confuse your senses. For an audience, it looks like a magic trick so make the most of it. Thank the ink wizard, Nathan Tardif, for the admiration you will receive.

As for other inky qualities, it is well-behaved on a variety of papers. No shading with the Noodler’s Dixie #10 Methuselah Ebonite on absorbent paper, but it did shade nicely on Rhodia.  No feathering, show-through or bleed-through on any paper except to a mild degree on Moleskine. The color is green-blue when dry and not highly saturated. Like many inks from Noodler’s, it does not budge when smeared with water. Frankly, what more could you ask from an ink?

Thank you, Carol, for the ink and pen. Luxury Brands U.S.A. has been a good and supportive friend to this blog. Your generosity is greatly appreciated.

 

 

 

 

 

 

 

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It’s Official! A New Noodler’s Ink!

10/13/2014

The new Noodler’s Ink is called General of the Armies and it has a unique twist on color. It changes over time!

First seen at the Dallas Pen Show 2014 and now available in wide release, this ink starts out green but changes to blue. I received a written sample that is green-blue along the lines of Waterman Blue Black and Iroshizuku Tsuki-yo or perhaps a faded version of Noodler’s Navy or The Big Blue Bear. This may only be a transitional color, but it certainly is pretty today.

Luxury Brands released this image today noting, “The color of the third swatch still has a touch of green as it is drying. Also don’t be surprised by the color in the bottle as you can see. Very green until it changes to cavalry blue.”

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Like most of Noodler’s Inks, there is a backstory. In this case it has to do with Army uniform colors, but that tale can wait for another day. Retailers just got word of the new ink so don’t expect to find it on the shelf just yet, though it might not hurt to encourage your favorite source to stock up. I mean they should want to enable you, right?

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Frustrating Noodler’s Ink News

07/19/2014

Are you a fan of Noodler’s Black Swan in Australian Roses (a/k/a BSAR)? Well, savor what you’ve got because it ain’t no more. The most recent batch has experienced a significant color shift due to a change in the dye. The original dye is no longer available so this is it, folks. The end of the line.

The new formula is deep violet, plain and simple. This isn’t Nathan’s doing, but I do think he should have retired Australian Roses and introduced the new ink under its own name. Black Swan in Violette Roses would have expressed the new color very well.

 

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Brilliant Summer Inks And Watercolors

07/14/2014

Usually by June, my tools get pared to a minimum. This year things have gone the other direction.

Instead of a limited three to five ink selection, my rotation is getting a color infusion. For inspiration, there is a swatch on my desk to remind me what is on hand. It isn’t a watercolor palette, but it has the same come play with me effect.

  • Sailor Jentle Peach Pink
  • Noodler’s Purple Martin
  • Diamine Emerald
  • J. Herbin Ambre de Birmaniestil
  • Diamine Teal
  • Waterman Blue-Black
  • Noodler’s Kiowa Pecan
  • Sailor Jentle Nioi-sumire
  • J. Herbin Lierre Sauvage
  • Diamine Aqua Blue
  • Iroshizuku fuyu-syogun
  • Noodler’s Lexington Gray

Elaine from Jet Pens sent a bottle of Sailor Four Seasons Nioi-sumire (Sweet Violet) and Karen at Exaclair has promised bottles of two J. Herbin inks so my rotation will be changing in short order. Now to find an empty, italic pen for some doodling in my Stillman & Birn sketchbook.

Along with modifying my ink rotation, summer is a good time for some colorful experimentation with my watercolor palette. Starting with a dozen basic paints, I added another dozen that I seldom use. That leaves a few empty slots for new acquisitions. My choices are brighter than usual and painting with them will provide a good challenge for the next few months. Even so, I included a modifier, Neutral Tint, just in case a color shouts a bit too loudly.

Certainly a palette needs to be functional, but it can also benefit from visual appeal. This Kremer is a good example of that. The beautiful arrangement encourages playful interaction.

A girl’s gotta have fun you know and what better way than color infused days. Love you guys, but the muse is calling. See ya later!

 

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J. Herbin Rose Cyclamen Meets Kyokuto Expedient Notebook

05/29/2014

It’s that time of year when pink wriggles its way into my rotation. With excellent timing, Karen at Exaclair sent a bottle of J. Herbin Rose Cyclamen while Elaine at Jet Pens offered a Kyokuto notebook and the two became fast mates. Not Karen and Elaine. The ink and notebook.

J. Herbin Rose Cyclamen

The images tell the story well enough, but a few points bear mentioning. Rose Cyclamen is a strong pink. Nothing pale or wimpy about it. It is on the cool side with a blue bias that stands out on while paper, but softens a bit on cream colored paper. It has good coverage, but no shading from the Platinum #3776 music nib. Even from a fine nib, it should provide strong color. Especially during the summer, I prefer it to red for editing or margin notes. But if you’re going to use Rose Cyclamen for correspondence, it should be to a really close friend, really close, or your intentions might be misunderstood.

The color was difficult to photograph. On my monitor it is a bit too bright. The color on the bottle is more accurate so go by that.

J. Herbin makes some very pretty inks and Rose Cyclamen is a memorable one in its lineup. If you like pink, this one should make you happy and be a good mate for any pen. Just ask my Platinum #3776. It keeps asking for more. Really!

Kyokuto Expedient Notebook

The B5 Kyokuto Expedient Notebook is available in three colors, black, silver and white in ruled, dot grid and plain styles. The form is excellent with a plastic cover, stiff cardboard back, double ring binding, and rounded corners. White paper and gray lines make the ruled Expedient a neutral fit for any ink color. There was a little feathering from some inks, but I’ve seen Diamine Emerald and Teal misbehave elsewhere. The paper is very smooth and the 7mm line spacing excellent with my stubs and italics without any scaling back on my letter forms.

However, there is a caveat with fountain pen ink. Most produced considerable bleed and show-through though my trusty Sharpie Pen suffered no such indignities. I have no explanation for the lack of such problems with Noodler’s Black and Zhivago. The pen used with the latter has a rather dry nib, but the one used with Black has an average flow. Rose Cyclamen and Waterman Florida Blue performed the best of the remaining inks. Gel pens and ball points should present no issues. Narrow felt tips will work, but pens that lay down a lot of ink are iffy.

The white paper and gray lines are perfectly suited to pencil especially wide soft lead for which I admit a weakness. On Expedient paper, my Autopoint mechanical pencil with 0.9mm HB lead glided effortlessly and produced a satisfying line.

I absolutely love paper that works with all inks, but this isn’t one of them. If you don’t mind a few uneven outlines here and there, and you only use one side of the paper, the Expedient could work well for you. Some of the inks I use the most showed no issues, so it will fit in my rotation especially for pencil notes and that’s something that happens every day.

Thanks, Karen and Elaine, for the opportunity to test your products. Your generosity is much appreciated.

 

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A New Batch Of Links

03/09/2014

A bit of this and a bit of that…

St. Patrick’s Day is only a week away. Okay, I couldn’t pick just one, so green ink is in two pens on my desk. It was hard to choose, but J. Herbin Lierre Sauvage and Diamine Emerald won and I am thoroughly enjoying both.

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On My Desk – February 2014

02/27/2014

Well, sort of. These are the inks in use today from the assortment of pens on my desk. The tally is telling with seven of nine in the blue family. The nibs are with one exception in the wide range and only the Platinum and Lamy nibs were not tweaked in some way. The paper is the outstanding Tomoe River from PaperForFountainPens.com. It might be unfair that it makes every ink and nib look good, but that’s hardly a complaint.

March is the month in which green ink invariably gets a twirl. This year it will be either J. Herbin Lierre Sauvage or Iroshizuku Shin-Ryoku or possibly both. Now for the pen. Italic or flex? Which would you choose for green ink?

The ink colors could be more saturated and the paper is actually a warm white, but adjusting the scan might make it less honest. So no adjustments this time.

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