Posts Tagged ‘italic nib’

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Waterman Carene Stub Gets a Forever Home

2009/10/13

For weeks I have been in fountain pen nirvana with my latest acquisition, a previously owned Waterman Deluxe Carene Stub*. I am ruined.

What does that mean to a pen collector? Nearly every pen in my drawers, pen wraps, pen cases and milling about forlornly on my desk is a fine or extra-fine. Oh, yeah, I am in deep “dirt” now. Few have received more than a passing glance since the Carene arrived and they are already way past being jealous. Not only are they bereft, they are suffering from dried ink syndrome. For the uninitiated that means ink has dried in nibs and feeds requiring lots of extra effort to get the sulky little things clean. It is my punishment for ignoring them you see. Each will make me pay for my dalliance but I tell you it has been worth it.

The first surprise about the Carene was that this medium weight pen is as comfortable to use as any feather weight model. Good balance is what makes the difference. It’s a very sturdy, well-finished pen that tolerates casual use. Not careless but casual. It will go along for the ride, tossed in my purse without benefit of a case or wrap, showing not a hint of pique at such rough treatment. But that isn’t even the best part.

Waterman Carene Stub Nib

Waterman Carene Stub Nib

The stub nib is amazingly good fun to use and brings out the italic side of my handwriting. I received a lovely reply to my first letter penned with the Carene. My friend wrote, “your handwriting has changed a bit. It sort of looks like Leigh’s.” That’s quite a compliment as Leigh was the previous owner and one of my favorite handwriting artists. My writing might resemble Leigh’s writing if she wrote with her opposite hand on a bad day and in a cast to boot but I loved the compliment anyway.

One caveat about the Carene. The unique nib will leak on your finger if you touch the upper tips of the nib where they meet the section. The upshot is that you can’t hold the pen low and close to the nib, well, unless you want inky fingers. I haven’t found the hold to be uncomfortable but have forgotten a few times and earned a nice ink splotch on my index finger along with a few chuckles from observers. I like to make people laugh so it’s fine with me but it might not be appropriate in a business meeting.

Anyway, I wanted to share my excitement over a terrific pen and nib. It isn’t right for everyone but it sure is right for me. In fact I would take a second one should the opportunity come my way.

Oh, if you are wondering about the lack of  photos, click the small image above. No way could I have done a better job of showing off this stub than Leigh has done.

*Stubs and italics both have a straight edge that produces a thick vertical line and a thin horizontal line. If you don’t write really small, the stock stub is a great way to put a little pizazz in your letters without having to practice a great deal. If you have small letters, then you might need a custom ground nib to get one sized correctly for your handwriting. Want to create a great signature? A stub nib might be just the thing.

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J. Herbin Lierre Sauvage

2009/07/03

J. Herbin Lierre Sauvage (wild ivy) is a true green and a bit brighter than the sample below. It is closer to ivy than spearmint with the blue component stronger than the yellow. The result is a mid-range color that won’t offend your non-green friends but would make a pleasing substitute for red or a useful complement to medium blue ink for a two-color project.

In addition to the test page pictured, I used Lierre Sauvage in an Apica 6A10 journal but to mixed results. Same pens as below but the wider nib produced some mild feathering and lines that had a soft appearance. The more narrow nib did not produce noticeable feathering but the color was considerably less intense. In fact when I used the Lamy EF a few days later, I noted in my journal how well suited the ink, pen, and paper were for each other. Scratch tests on a variety of papers produced good results though some softness on poor quality copy paper and the like.

That mild feathering observed in the Apica seems best attributed to the combination of a free-flowing ink with a somewhat absorbent paper. The ink just followed the paper fibers perfectly unlike the clean lines it produced on Rhodia where the performance was stellar.

Shading with a wide nib is excellent on Rhodia but less apparent with a fine nib. In fact the nib makes such a difference that the sample below could have been made by two different inks. And that makes J. Herbin Lierre Sauvage an inky bargain.

J. Herbin Lierre Sauvage

J. Herbin Lierre Sauvage

J. Herbin Lierre Sauvage

J. Herbin Lierre Sauvage

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Arabian Rose, A Tasty Leftover

2009/06/19

Yesterday a big box of goodies arrived, leftovers from reviews by BiffyBeans. Pretty cool, eh?

No question about which ink to try first since Private Reserve Arabian Rose has been on my list for at least a year. So ink in hand I took a quick look through the pen box. I am not a big fan of demo pens, the clear ones that let you see the cartridge or converter. Often they look messy with ink in wrong places. But for purple I will make an exception and chose a Lamy Vista with a 1.1 italic nib.

The longer I use this ink the better I like it. Depending on the light, it can appear dark reddish purple, magenta or even burgundy. On this page of purples at Wikipedia, Arabian Rose most closely matches tyrian or imperial purple. It is also in the colors of this Angel Rose Viola.

Have a look at my initial notes scanned below. As the writing test progressed, Arabian Rose lightened just a tad to its true color and revealed some nice if inconsistent shading. Drying time is typical for a rather saturated ink but not awful. Expect three to five seconds with a very fine, dry nib but significantly longer with a wide, wet nib like the Lamy italic.

Purple may not be appropriate for a staid business environment but it is lovely for personal use. Speaking of which it’s time to write a thank you for a sweet Japanese notebook I received recently. Hope Arabian Rose suits the recipient since I’ve got plenty left in the converter and a pen just itching to go to work.

Private Reserve Arabian Rose

Private Reserve Arabian Rose

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Diamine Sepia Meets a Lamy Vista

2009/03/11

Diamine Sepia is a unique color that comes and goes in my favor. However, the shading and outlining characteristics are some of the best in inkdom with the right pen and paper. Wide nibs show it off best so when my new Lamy Vista 1.1mm italic nib was looking for a little company, Sepia sidled off the shelf hoping for a little fun. Being in an accommodating mood, I gave the pen and ink a little quality time together first with Staples Eco-Friendly (bagasse) and then Rhodia paper. The images are unretouched so you can see how the color differs from paper to paper. Which one do you prefer?

Diamine Sepia on Bagasse Paper

Diamine Sepia on Rhodia Paper

Diamine Sepia on Rhodia Paper

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