Posts Tagged ‘iroshizuku’

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These Are a Few of My Favorite Greens

2009/10/11

The Sound of Music’s My Favorite Things floated my way when I thought about comparing the green inks in my current rotation. J. Herbin Vert Empire, Private Reserve Avacado (sp.), and Montblanc Racing Green are delightfully well-matched to their pens but might not be as wonderful in other models. It took a long time to discover two of these pairings and the third was entirely by luck. Oh, if you like flex, Vert Empire shades beautifully in an Esterbrook ‘J’ with a 9128 extra-fine flex nib. So there is that, too.

Dark Green Fountain Pen Ink

Dark Green Fountain Pen Ink

My complete list would also include Sailor Uranari Green, J. Herbin Vert Olive, Diamine Emerald, and Iroshizuku shin-ryoku. These inks work well for me in lots of pens so they are worth mentioning as well.

Probably the most versatile of the bunch are Diamine Emerald and MB Racing Green. PR Avacado dries a little slower than the other two but can be easier to find in the U.S.

There is one caveat when it comes to green ink. I’ve found nearly all of them change, whether lighter or darker, softer or bolder, depending on the pen and especially in a scan. If ever there was a color to which YMMV applies, green is it.

Any one of these inks could be a good addition to your collection but if you like green as much as I do, one just won’t be enough.

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Orange You Glad It’s Fall

2009/10/09

Whether you giggled or groaned at the title, in this part of the world fall has arrived. With all its rich and yummy colors from persimmon to sunset to saffron, it’s that orange time of year. In recognition of the ruling color, here are a few fountain pen inks from my collection.

Don’t take these scans as true representations of the colors but rather as relative comparisons. Orange proved to be a real challenge to get right.

Orange Ink Swatches

Orange Ink Swatches

And a few writing samples…

Iroshizuku yu-yake

Iroshizuku yu-yake

J. Herbin Orange Indien

J. Herbin Orange Indien

Iroshizuku fuyu-gaki

Iroshizuku fuyu-gaki

Private Reserve Orange Crush

Private Reserve Orange Crush

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The Rhodia Webnotebook vs Moleskine Journal Showdown

2009/10/02

Many journal devotees would agree the Moleskine A6 journal has cachet to spare. So can a newcomer called the Rhodia Webnotebook (a/k/a The Webbie) best it? With certainty in one key category it does but is it enough to make you switch?

Rhodia Webnotebook vs Moleskine Journal

Rhodia Webnotebook vs Moleskine Journal

When it comes to form, Moleskine is exactly what a journal ought to be. The cover is thin but sturdy, the perfect little black book. The ribbon marker is durable enough and the pocket tucked inside the back cover is convenient for all manner of uses. The elastic band closure fits just right and helps keep goodies tucked tidily between the pages. The cream colored pages with pale gray lines are easy on the eyes and discreet. The Moleskine is a classy-looking journal in every respect.

The Rhodia Webnotebook is similar and certainly gives more than a nod to the venerable Moleskine. Unfortunately, it misses in some small ways but puts the Moleskine to shame in the most important one. More later about that.

Addressing form differences first, the Rhodia cover is thicker, sturdy, rigid, and smooth. The elastic band is tight and left permanent indentations on the front and back covers of the sample I received from Exaclair. There is a pocket attached to the back cover just like the Mole.  The inside cover is black with no place to write a name or offer a reward should the journal meet with misfortune. This omission could easily be remedied with a bookplate sticker. The Rhodia does not initially lie perfectly flat like the Moleskine but with use the spine will relax enough to make that less an issue.

The paper is a whole ‘nother subject and in this the Rhodia excels. The images tell the story. The Moleskine paper feathers in places with fountain pen ink but does well with pencil, gel pens, roller balls, and Sharpie Pens (not markers). There is show-through and bleed-through from every fountain pen I used. As one would expect, the finest nibs worked best. Although I didn’t have them on hand to test today, Noodler’s Black or Legal Lapis in a dry Parker ‘51′ extra-fine are the best fountain pen and ink duos I’ve ever found for a Moleskine. The Pilot Prera fine nib tested best of the lot this time.

Moleskine Journal - Front

Moleskine Journal - Front

Moleskine Journal - Reverse

Moleskine Journal - Reverse

Now for the challenger. The darker cream/gray lined Rhodia paper is thicker, smoother, and absolutely loved nearly everything I threw at it. Finally, double-sided writing is feasible in a small, black journal. No feathering, no bleed-through except with a Sharpie Marker and only the very faintest show-through with anything else.

Prefer fountain pens? This is a match made in heaven at least with the new 90g version. Depending on the ink and pen, drying time can be longer than with the Moleskine but I think it is worth the few-second wait. A piece of blotter paper should eliminate any smearing if that is a concern.

Rhodia Webnotebook - Front

Rhodia Webnotebook - Front

Rhodia Webnotebook - Reverse

Rhodia Webnotebook - Reverse

For anything but fountain pens, both the Moleskine and the Rhodia work well. The Sharpie Pen was particularly nice. It didn’t even leave an indentation. For compatibility with fountain pen ink though, the Rhodia Webnotebook easily came out tops. Every pen on my desk worked well including the stub and the free-flowing cursive italic, just the sort of versatility that is perfect for an inkophile.

Update: One of the comments below states that the line spacing is larger in the Webnotebook. A side by side comparison of the 9 x 14 cm sized journals used in my test showed no difference between the two.

Note: Another Rhodia Webnotebook review at Rhodia Drive.

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Lots of Inkophile Ink Reviews

2009/08/28
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When Orange is Retro Cool

2009/08/22

After years of Japanese, Lamy and Levenger models with a few vintage Watermans thrown in, imagine my surprise when a Retro 51 Scriptmaster 2 wheedled its way into my rotation. Shocked? Me, too, but not when I consider how well it writes.

Retro 51 Scriptmaster 2

Retro 51 Scriptmaster 2

The nib is made of steel and it is substantial. The fine nib is close to an extra fine and quite the nail. In fact I have Sailor fines that lay down more ink creating a wider line than the Scriptmaster. With a light touch the nib is smooth. Use a little too much pressure and the nib will dig into the paper as will most extra-fine pens.

The clean design is simple and attractive. The logo, vaguely reminiscent of the Harley-Davidson shield, is 1950’s cool. The barrel is made of a solid bar of cellulose acetate and very smooth. With platinum rings to accent each end, the design is understated but very appealing.

The Scriptmaster build quality is solid and comparable to the Stipula I Castoni College Fountain Pen though it is not quite on a par with the slightly more expensive Sailor Sapporo. The size makes it quite comfortable to use without posting. The converter is surprisingly good in that the piston moves very freely and easily – good both for filling and allowing ink to flow smoothly.

Color being my downfall, I succumbed to the jolt of the multi-hued Clementine orange. You’d be hard pressed to find an orange ink that wouldn’t look good in it. So far Noodler’s Apache Sunset, Iroshizuku Yu-Yake, and J. Herbin Orange Indien have all worked well. Even a couple of green inks have queued up for the opportunity to play with the shiny new Retro 51. Did I mention I like color?

If this review makes the Scriptmaster sound intriguing, Goldspot has a good deal on the Clementine while Swisher Pens has the Tortoise and the Citron colors for a few dollars more.

Retro 51 Scriptmaster 2 with Iroshizuku Yu-Yake

Retro 51 Scriptmaster 2 with Iroshizuku Yu-Yake

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Iroshizuku’s New Autumn Inks

2009/08/14

If you haven’t seen the latest Pilot Iroshizuku colors, it’s likely at least one of them will suit your ink wardrobe for the coming change of season. Fellow pen and ink addict Phthalo was kind enough to send samples recently and it has been a pleasure to slowly work through them.

Yama-guri is a deep neutral brown conservative enough for business and dark enough to be a replacement for black. Tsukushi is a medium brown with a hint of red and a little shading even from a fine nib. It looks promising for flex writing or even a spin with a chunky broad nib. Think dark chocolate versus milk chocolate to grasp the difference between the two browns.

Fuyu-gaki is an eye-popping red-orange/vermilion. It reminds me of Halloween jelly beans and could be a tasty substitute for red if you are an inkophile who likes to change things up a bit.

The new autumn colors are already on the market and can be purchased from Jet Pens amongst other outlets. So grab one or two and be properly dressed for the new season which I have on good authority will arrive in due course. Promise!

Iroshizuku Autumn Inks

Iroshizuku Autumn Inks on Rhodia Paper

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Yea! Iroshizuku Adds Three New Colors!

2009/05/23

Pilot has done it again with its fourth release of colors for the Iroshizuku line. This time two browns and another orange join the party. Think autumn leaves and you’ll have it dead on.

No photos yet from Pilot but you can search Iroshizuku on eBay for a few seller images. The box colors reveal the new orange, Fuyu-gaki (winter persimmon), is brighter and has more blue in it than the previously released Yu-Yake. Tsukushi (horsetail) is an intense, rich brown with 35% more red than Yama-Guri (mountain chestnut). The latter is a rather balanced and versatile dark brown.

In terms of expanding the colors offered, Pilot has been consistently clever in its choices. This new release is no exception. The Iroshizuku line still needs a purple or two, a yellow-green and a wine/burgundy to span the spectrum. But the addition of two browns is a brilliant move in just the right direction.

I’ll delay till the last minute deciding my autumn rotation just in case the new Iroshizuku inks turn up stateside. They look to be worth the wait.

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Putting Colors Together, Part 2

2009/05/16

Summer Ink Palette No 2

Iroshizuku Yu-Yake
Diamine Vermillion
J. Herbin Vert Réséda
J. Herbin Bleu Pervenche
Private Reserve Purple Haze

Summer Ink Palette No 2

Summer Ink Palette No 2

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Putting Colors Together, Part 1

2009/05/16

Summer Ink Palette No 1

Private Reserve Shoreline Gold
Diamine Maroon
Diamine Light Green
Iroshizuku Syo-Ro
Sailor Gray

Summer Ink Palette No 1

Summer Ink Palette No 1

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Switching to Summer Mode

2009/05/15

Every year as summer approaches, my rotation needs an overhaul. It isn’t easy but the unwieldy “winter at my desk” lot needs taming to an easy “on the go” crew. Minimal upkeep is key but a satisfying splash of summer color for my correspondence and journal is essential, too.

My criteria for summer pens are simple: light in weight and easily replaced. No worries if one gets left behind or slips out of my bag. Three to five of them should be plenty. My pens that fit the bill best are

  • Lamy Vista with the transparent barrel so I can see the ink
  • Lamy Al-Star because the aluminum barrel and icy colors are cooling on a hot summer day
  • Esterbrook (J, SJ, or LJ) for nib variety

Inks that suit sultry summer nights and blistering summer days are those colors you’d find at the beach or in a garden. Some of my favorites along with the images they conjure are

  • Caran d’Ache Caribbean Sea – seaside holiday
  • Diamine China Blue – soft cotton linens
  • Diamine Kelly Green – freshly watered grass
  • Diamine Light Green – new plant growth
  • Diamine Maroon – deep pink roses
  • Diamine Royal Blue – clear skies
  • Diamine Sepia – flowers, pebbles and beaches
  • Iroshizuku Syo-Ro – ocean surface
  • Iroshizuku Yu-Yake – sunrise
  • J. Herbin Bleu Azur -  sun bleached pool
  • J. Herbin Bleu Pervenche – cotton cloth and seaside jewelry
  • J. Herbin Bouquet D’Antan – pale pink hydrangeas
  • J. Herbin Gris Nuage – rain clouds
  • J. Herbin Poussiere de Lune – lavender flowers
  • J. Herbin Rouille D’Ancre – daylily and Gerbera daisies
  • J. Herbin Vert Olive – pale green ornamental grass
  • Private Reserve Purple Haze – gauze clothing, lavender and shadows
  • Private Reserve Shell Pink – lipstick and flowers
  • Private Reserve Shoreline Gold – nasturtiums and marigolds
  • Rohrer and Klingner Morinda – Hawaiian shirts
  • Sailor Gray – sea squall, stormy ocean at the horizon

Same list of inks but by color

Blue

  • Caran d’Ache Caribbean Sea
  • Diamine China Blue
  • Diamine Royal Blue
  • Iroshizuku Syo-Ro
  • J. Herbin Bleu Azur
  • J. Herbin Bleu Pervenche

Red/Pink

  • Diamine Maroon
  • J. Herbin Bouquet D’Antan
  • Private Reserve Shell Pink
  • Rohrer and Klingner Morinda

Gray

  • J. Herbin Gris Nuage
  • Sailor Gray

Orange

  • Diamine Sepia
  • Iroshizuku Yu-Yake
  • J. Herbin Rouille D’Ancre
  • Private Reserve Shoreline Gold

Green

  • Diamine Kelly Green
  • Diamine Light Green
  • J. Herbin Vert Olive

Purple

  • J. Herbin Poussiere de Lune
  • Private Reserve Purple Haze

No, I don’t own all of those inks! But I have seen written samples or scored a small vial of each except Caribbean Sea. One of these days…

Do you pare things down for summer?  If so, what’s on your list?

Update: Summer Ink Palette No 1, Summer Ink Palette No 2, Summer Ink Palette No 3, Summer Ink Palette No 4

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